Charles Poulton (b. 1907)

Gallery Unavailable

Birthplace:
Aylesbury, Buckinghamshire, England, UK

Born:
November 29, 1907

Additional information:

The Search Form


Sound:
1936  Enough to Eat?
1938  Co-operette
1946  It Might Be You
1955  Secret Venture
1962  Live Now - Pay Later

Sound Designer:
1936  Enough to Eat?
1938  Co-operette
1946  It Might Be You
1948  The Red Shoes
1955  Secret Venture
1962  Live Now - Pay Later

Sound Director:
1936  Enough to Eat?
1938  Co-operette
1946  It Might Be You
1948  The Red Shoes
1955  Secret Venture
1957  Second Fiddle
1962  Live Now - Pay Later

Sound Engineer:
1936  Enough to Eat?
1938  Co-operette
1946  It Might Be You
1948  The Red Shoes
1951  The River
1955  Secret Venture
1957  Second Fiddle
1962  Live Now - Pay Later

Sound Mixer:
1936  Enough to Eat?
1938  Co-operette
1946  It Might Be You
1948  The Red Shoes
1951  The River
1954  Radio Cab Murder
1955  Secret Venture
1957  Second Fiddle
1962  Live Now - Pay Later
1962  Term of Trial

Sound Recordist:
1936  Enough to Eat?
1938  Co-operette
1938  Happy in the Morning: A Film Fantasy
1946  It Might Be You
1947  Take My Life
1948  Blanche Fury
1948  The Red Shoes
1951  The River
1953  Deadly Nightshade
1954  Radio Cab Murder
1954  The Green Buddha
1955  Cross Channel
1955  Secret Venture
1955  Track the Man Down
1956  The Feminine Touch
1957  Second Fiddle
1961  A Taste of Honey
1962  Live Now - Pay Later
1962  Term of Trial

Sound Supervisor:
1936  Enough to Eat?
1938  Co-operette
1938  Happy in the Morning: A Film Fantasy
1946  It Might Be You
1947  Take My Life
1948  Blanche Fury
1948  The Red Shoes
1951  The River
1953  Deadly Nightshade
1954  Radio Cab Murder
1954  The Green Buddha
1955  Cross Channel
1955  Secret Venture
1955  Track the Man Down
1956  The Feminine Touch
1957  Second Fiddle
1959  Web of Evidence
1961  A Taste of Honey
1962  Live Now - Pay Later
1962  Term of Trial

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.