A work in constant progress (and occasional regress).
Release Date:
June 19, 1956
Original Title:
The Feminine Touch
Alternate Titles:
A Lamp Is Heavy
The Gentle Touch
Genres:
Drama
Production Companies:
Ealing Studios
The Rank Organisation
Production Countries:
United Kingdom
Ratings / Certifications:
GB: PG SE: Pg
Runtime: 91
Following a group of five very different student nurses during their first year of training at an NHS hospital in London called St. Augustine’s Hospital (filmed at Guy's Hospital), where they live in a dormitory. Susan (Belinda Lee) is reliable and sensible; Pat (Delphi Lawrence) is flighty and open; Maureen (Adrienne Corri) is Irish and loud; Ann (Henryetta Edwards) is a typical public school girl; and Liz (Barbara Archer) comes from a typical working class background. As they get to know each other, they bond in spite of their differences.
Art Direction:
Edward Carrick
Assistant Director:
David Middlemas
Associate Producer:
Jack Rix
Camera Operator:
Hugh Wilson
Camera Technician:
George Minassian
Conductor:
Dock Mathieson
Continuity:
Jean Graham
Costume Designer:
Anthony Mendleson
Director:
Pat Jackson
Director of Photography:
Paul Beeson
Editor:
Peter Bezencenet
Hairstylist:
Daphne Martin
Makeup Artist:
Harry Frampton
Novel:
Sheila Mackay Russell
Original Music Composer:
Clifton Parker
Producer:
Michael Balcon
Production Supervisor:
Hal Mason
Scenic Artist:
W. Simpson Robinson
Sound Editor:
Alastair McIntyre
Sound Recordist:
Charles Poulton
Sound Supervisor:
Stephen Dalby
Still Photographer:
Roy Gough
Technical Advisor:
Bridget Wall
Unit Production Manager:
Norman Priggen
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.