Home

Cross Channel (1955) [NR]

Release Date:
September 29, 1955

Original Title:
Cross Channel

Genres:
Crime | Drama

Production Companies:
Republic Pictures Corp. (I)

Production Countries:
United Kingdom | United States of America

Ratings / Certifications:
US: NR 

Runtime: 61

Overview from TheMovieDB

Charter-boat owner "Tex" Parker is framed on a murder rap by a gang of jewel-and-American currency smugglers operating from the coasts of England and France, with a mid-channel rendezvous. The smugglers use him, his boat and partner, "Soapy", to carry their goods back and forth across the English. During one of the trips, "Tex" is thrown overboard, but is picked up by a French fishing boat and the fisherman take him back to their village, Porte Soliare, where he meets Jacqueline. People who appear to be quite dead early on turn out to be not dead later on, and money and swag and goods keep changing hands with such regularity that, at one point, one guy is searching for something he already has (and doesn't know it), while another guy isn't searching for it because he thinks he has it...but doesn't.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Performers

Click the heading above to show or hide the list.

Production

Art Direction:
John Stoll

Assistant Director:
Jimmy Shingfield

Associate Producer:
William N. Boyle

Director:
R.G. Springsteen

Director of Photography:
Basil Emmott

Editor:
John Seabourne Sr.

Hairstylist:
Betty Baugh

Makeup Artist:
Ernest Gasser

Original Music Composer:
Lambert Williamson

Sound Recordist:
Charles Poulton

Unit Production Manager:
Bernard Hanson

Writer:
Rex Rienits

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.