A work in constant progress (and occasional regress).
Alias:
Eric Messerschmidt
Erik Messerschmidt, ASC
Birthplace:
Portland, Maine, USA
Born:
October 23, 1980
Erik Messerschmidt, ASC (born October 23, 1980) is an American cinematographer. He is best known for his collaborations with director David Fincher on the films Mank and The Killer (as director of photography) and Gone Girl (as gaffer), and on the Netflix series Mindhunter. He has also shot episodes of the TV series Fargo, Legion, and Raised by Wolves. His work has been nominated for an Emmy. In April 2021, he won the top ASC Award and the Academy Award for Best Cinematography for Mank.
Best Boy Electric:
2001 Magic Rock
Chief Lighting Technician:
2001 Magic Rock
2014 Gone Girl
Director of Photography:
2001 Magic Rock
2009 In a Dream
2014 Gone Girl
2020 Mank
2022 Devotion
2023 Ferrari
2023 The Killer
2024 Verano ’78
Gaffer:
2001 Magic Rock
2003 Scarecrow Slayer
2009 In a Dream
2009 Not Forgotten
2014 Gone Girl
2015 Tomorrowland
2020 Mank
2022 Devotion
2023 Ferrari
2023 The Killer
2024 Verano ’78
Second Unit Director of Photography:
2001 Magic Rock
2003 Scarecrow Slayer
2009 In a Dream
2009 Not Forgotten
2014 Gone Girl
2015 Tomorrowland
2018 Sicario: Day of the Soldado
2020 Mank
2022 Devotion
2023 Ferrari
2023 The Killer
2024 Verano ’78
Additional Director of Photography:
2017 MINDHUNTER
Director of Photography:
2014 Fargo
2017 MINDHUNTER
2020 Raised by Wolves
2021 The Me You Can't See
2025 Dope Thief
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.