Gone Girl (2014) [R]

Release Date:
October 1, 2014

Original Title:
Gone Girl

Alternate Titles:
Em Parte Incerta
Garota Exemplar
Gone Girl
Kayıp Kız
Kiltti tyttö
Les apparences
Perdida
İtmiş Qız
دختر گم شده
เล่นซ่อนหาย
失踪女孩
나를 찾아줘

Genres:
Drama | Mystery | Thriller

Production Companies:
20th Century Fox
Regency Enterprises

Production Countries:
United States of America

Ratings / Certifications:
AU: MA15+  BR: 14  CH: 16  CZ: 18+  DE: 16  DK: 15  ES: 16  FI: K-16  FR: 12  GB: 18  GR: Κ-15  HU: 18  IE: 16  IT: VM14  KR: 18  LT: N-16  NL: 16  NO: 15  NZ: R16  PL: 18  PT: M/18  RO: 18+  RU: 16+  SK: 15  TH: 18  TW: 輔12  US: R 

Runtime: 149

You don't know what you've got 'til it's...

With his wife's disappearance having become the focus of an intense media circus, a man sees the spotlight turned on him when it's suspected that he may not be innocent.

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ADR Editor:
Gwendolyn Yates Whittle

ADR Mixer:
Doc Kane
Thomas J. O'Connell

ADR Recordist:
Ryan Young

Animation Supervisor:
Steve Preeg

Art Department Coordinator:
Molly Reinhardt
Michael LaCorte

Art Direction:
Dawn Swiderski

Assistant Art Director:
Mark Robert Taylor
Cara Brower

Assistant Editor:
Tyler Nelson

Assistant Production Coordinator:
Michael Coscia

Associate Producer:
Jim Davidson

Best Boy Electric:
Andrew Korner

Boom Operator:
Scott La Rue

CG Supervisor:
Carlos Anaya

Camera Operator:
Peter Rosenfeld

Casting:
Laray Mayfield
Patty Connolly

Chief Lighting Technician:
Erik Messerschmidt

Construction Coordinator:
Robert J. Carlyle

Costume Design:
Trish Summerville

Costume Supervisor:
Cheryl Beasley Blackwell

Costumer:
Jay Cheng

Dialect Coach:
Carla Meyer

Dialogue Editor:
Daniel Laurie

Digital Intermediate:
Matt Blackshear
Emily Eddey

Director:
David Fincher

Director of Photography:
Jeff Cronenweth

Editor:
Kirk Baxter

Executive Producer:
Bruna Papandrea
Leslie Dixon

First Assistant Accountant:
Kirsten Anderson

First Assistant Director:
Courtenay Miles

Foley:
Alyson Dee Moore
John Roesch
Thom Brennan

Foley Mixer:
Mary Jo Lang

Greensman:
Alex Sessing

Hairstylist:
Kim Santantonio
Sheryl Blum
Jose Zamora
Stacey Morris

Key Costumer:
Carrie Arakaki

Key Grip:
James Sweet

Key Rigging Grip:
Chris Leidholdt

Location Assistant:
Tyler Hohmann

Location Manager:
Richard Schuler
John Cefalu

Makeup Artist:
Deborah Rutherford
Aurora Bergere
Wanda Patterson

Makeup Department Head:
Kate Biscoe

Makeup Effects:
Gary J. Tunnicliffe

Music Editor:
Jonathon Stevens

Novel:
Gillian Flynn

Original Music Composer:
Trent Reznor
Atticus Ross

Payroll Accountant:
Maureen O'Reilly

Producer:
Reese Witherspoon
Joshua Donen
Ceán Chaffin
Arnon Milchan

Production Accountant:
Jim Davidson

Production Coordinator:
Lori Berlanga

Production Design:
Donald Graham Burt

Production Sound Mixer:
Steve Cantamessa

Property Master:
Kirk Corwin

Rigging Gaffer:
Scott Graves

Rigging Grip:
Brad Leidholdt

Screenplay:
Gillian Flynn

Script Supervisor:
Sharron Reynolds-Enriquez

Second Assistant Director:
Paul Schneider

Set Costumer:
Anita Louise Brown
Tom Macdonald
Lauren Winchester
Paul Corricelli

Set Decoration:
Douglas A. Mowat

Set Designer:
Barbara Mesney
Tim Croshaw
Jane Wuu

Sound Designer:
Ren Klyce

Sound Effects Editor:
Malcolm Fife
Al Nelson
David C. Hughes

Sound Re-Recording Mixer:
Ren Klyce
David Parker
Michael Semanick

Special Effects:
Dean Hathaway

Special Effects Coordinator:
Ron Bolanowski

Steadicam Operator:
Bob Gilles

Still Photographer:
Merrick Morton

Stunt Coordinator:
Mickey Giacomazzi

Stunts:
Jessica Harbeck

Supervising Art Director:
Sue Chan

Supervising Sound Editor:
Ren Klyce

Transportation Coordinator:
Robert E. Dingle

Unit Production Manager:
David Witz

VFX Supervisor:
Max Leonard

Visual Effects Producer:
Gabriela Hickman
Robin L. D'Arcy
Brice Liesveld

Visual Effects Supervisor:
Charlie Iturriaga
James Pastorius
Eric Barba
Marco Maldonado

About the Movie Section

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Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.