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Sicario: Day of the Soldado (2018) [R]

Release Date:
June 27, 2018

Original Title:
Sicario: Day of the Soldado

Alternate Titles:
Sicario 2
Sicario 2 - Day of the Soldado
Sicario 2 - Soldado
Sicario 2 Day of the Soldado
Sicario 2: Askerin Günü
Sicario 2: Day of the Soldado
Sicario 2: Soldado
Sicario Day of the Soldado
Sicario Day of the Soldado 2018
Sicario Two
Sicario Two: Day of the Soldado
Sicario Two: Soldado
Sicario: Askerin Günü
Sicario: El día del soldado
Siêu Sát Thủ
Soldado
Убийца 2 Против всех
边境杀手2：边境战士
시카리오-데이 오브 솔다도
시카리오: 데이 오브 솔다도
시카리오_데이 오브 솔다도

Genres:
Action | Crime | Thriller

Production Companies:
Black Label Media
Columbia Pictures
Thunder Road

Production Countries:
United States of America

Ratings / Certifications:
AR: 16  AT: 16  AU: MA15+  BR: 16  DE: 18  DK: 15  ES: 16  FR: 12  GB: 15  GR: 15  HK: IIB  HU: 16  IE: 15A  IL: הותר לבני 16 ומעלה  KR: 15  LT: N-16  MX: B-15  NL: 16  NO: 15  NZ: R16  PL: 16  PT: M/16  RU: 18+  SE: 15  SG: NC16  SK: 15  TW: 輔導15歲級  US: R  ZA: 16 

Runtime: 122

Some missions need a hitman...others need a soldier.

Overview from TheMovieDB

Agent Matt Graver teams up with operative Alejandro Gillick to prevent Mexican drug cartels from smuggling terrorists across the United States border.

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Additional information:

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Video

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Trailer

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Performers

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Production

ADR Mixer:
Michael Miller
Jason Oliver

ADR Recordist:
Nick Jimenez

ADR Voice Casting:
Barbara Harris

Additional Script Supervisor:
Jennifer Josephson
Mamie Mitchell

Aerial Camera Technician:
Peter Graf
Jared Slater

Aerial Coordinator:
Frédéric North
Louis Delavenne

Aerial Director of Photography:
Hans Bjerno
David B. Nowell

Ager/Dyer:
Jack Taggart
Wynema Chavez
Bren Cook

Animation:
Jonathan Grégoire

Armorer:
Russell Cannon

Art Department Coordinator:
Sara M. Pennington

Art Direction:
Marisa Frantz
Carlos Y. Jacques

Assistant Art Director:
Steven Maes

Assistant Location Manager:
Carlos Muñoz Portal
Ben Roe

Assistant Production Coordinator:
Adriana Enriquez
Jozelle Anderson

Assistant Property Master:
John C. Cameron
Luis Yañez Jacques

Associate Producer:
Emma McGill

Best Boy Electric:
Damon Marcellino

Best Boy Grip:
Todd Geritz

Boom Operator:
Andrejs Prokopenko
Lawrence L. Commans

CG Supervisor:
Raphael Letertre

Camera Operator:
Georgia Packard

Carpenter:
Justin Meriwether
Arthur Kirk Martin

Casting:
Jo Edna Boldin
Mary Vernieu
Marisol Roncali
Alejandro Reza

Casting Assistant:
Genica Lee

Casting Associate:
Maeve Wilson
Marie A. Kohl
Raylin Sabo

Colorist:
Stephen Nakamura

Compositing Supervisor:
Stéphane Rioux

Conductor:
Viktor Orri Árnason

Construction Buyer:
Bryan Chapman

Construction Coordinator:
Bill Holmquist

Costume Assistant:
No-e Gomez
Diana Navarrete
Paulina Reyes

Costume Design:
Deborah L. Scott

Costume Supervisor:
Emily Egge

Costumer:
Sarah Everest
Brenda Yanez
Michelle Kelly

Dialogue Editor:
Katy Wood

Digital Compositor:
Karen Arredondo Lopez
Jean-Michel St-Pierre Lapierre
William Cote
Marcin Charlicki
Karthic Ramesh
Juan Fermin Maldonado
Francesco Cadoni
Etienne Deshaies
Rosi Ruiz
Jean-Michel Cristofaro
Felix Vallieres
Romain Hubert
Olivier Blanchet
Lee Brunet

Digital Imaging Technician:
Ryan Nguyen

Digital Intermediate:
Eboni Price

Digital Intermediate Assistant:
John Tripp
Giovanni DiGiorgio
Josh Fapp

Digital Intermediate Producer:
Annie Johnson

Director:
Stefano Sollima

Director of Photography:
Dariusz Wolski

Drone Pilot:
Dan Ming

Editor:
Matthew Newman

Electrician:
Robert Chase Derian
Jacob Cottrell

Executive Producer:
Ellen H. Schwartz
Richard Middleton

Extras Casting:
Elizabeth Gabel

Extras Casting Assistant:
Mary Bowman

First Assistant Accountant:
Juan Salvador Melgoza

First Assistant Director:
Donald Murphy

Foley Artist:
John T. Cucci
Dan O'Connell

Foley Editor:
Willard Overstreet
Christopher Flick

Foley Mixer:
James Ashwill

Gaffer:
Orlando Hernandez
Sean McClellan

Graphic Designer:
JoAnna Maes-Corlew

Greensman:
Carma Harvey

Grip:
James McCray
Justice Whitaker
David Ochoa

Hair Department Head:
Lori McCoy-Bell

Key Costumer:
Phyllis Corcoran-Woods

Key Grip:
John D. Miller

Key Makeup Artist:
Corey Welk

Leadman:
Ernest M. Sanchez

Libra Head Technician:
Rodney Sandoval

Lighting Artist:
Dawid Borkiewicz
Samuel Jacques
David Bishop Noriega

Lighting Technician:
Patrick Toohey
Michael Neal
Daniel Remillard

Location Assistant:
Ruben Portal
Elizabeth Storm Dwyer

Location Manager:
Juan Pablo Noval
Shani Orona

Location Production Assistant:
Miranda Rivera

Makeup Artist:
Bonnie Masoner

Makeup Department Head:
John Caglione Jr.

Matchmove Supervisor:
Etienne Poulin St-Laurent

Matte Painter:
Stéphane Keller
Rene Morel
Mai-Anh Tran
Matthieu Veillette
Moïse Charest

Modeling:
Colin McBain
Philip Harris-Genois
Vincent Vezina
Tim Blake

Music Editor:
Lee Scott

Music Supervisor:
Jonathan Watkins

Musician:
Olafur Bjorn Olafsson
Hildur Guðnadóttir
Samuli Kosminen
Kjartan Hólm
Viktor Orri Árnason
Þórarinn Guðnason

Orchestrator:
Roman Vinuesa

Original Music Composer:
Hildur Guðnadóttir

Painter:
Emmanuelle John

Pilot:
Frédéric North
Doug Uttecht

Post Production Accountant:
Dee Schuka

Post Production Supervisor:
Brad Arensman

Producer:
Molly Smith
Thad Luckinbill
Trent Luckinbill
Basil Iwanyk
Edward McDonnell
Erica Lee

Production Accountant:
Susan Murphy

Production Assistant:
Sarah Mummey
Jacob Swanson

Production Coordinator:
Stephanie 'Tuty' Correa
Josh Mason

Production Design:
Kevin Kavanaugh

Production Executive:
Erik Feig

Production Secretary:
Zac Pitre

Production Supervisor:
Elissa Kannon

Property Master:
Keith Walters

Prosthetics:
Gary Archer

Pyrotechnic Supervisor:
Anthony Simonaitis

Pyrotechnician:
Skylar Gorrell

Rigging Gaffer:
Adam Harrison

Script Supervisor:
Steve Gehrke

Second Assistant Accountant:
Carrie Leonard de Aguirre

Second Assistant Camera:
Arlen Cooke
Jovany Garcia

Second Unit Director:
Doug Coleman

Second Unit Director of Photography:
Erik Messerschmidt

Set Costumer:
Darryl Garcia Jr.
Jennifer Gingery
Brian Barela

Set Decorating Coordinator:
Dustin DellaVecchia

Set Decoration:
Meg Everist

Set Decoration Buyer:
Ester Kim

Set Designer:
Lisa Ward

Set Dresser:
John Laing
Jeremy Chiordi
Ethan Scroggins
Laila Weeks
Jonathan Lheureux
Lonam Fogleman

Set Medic:
Matthew R. Williams

Set Production Assistant:
Tabata Gasse Estrada

Sound Editor:
Kevin Murray

Sound Effects Editor:
Christian Wenger
Roland N. Thai

Sound Mix Technician:
Bradford Bell

Sound Mixer:
David Brownlow

Sound Re-Recording Mixer:
Dean A. Zupancic
John T. Reitz

Special Effects Coordinator:
Michael Gaspar

Special Effects Supervisor:
Michael Meinardus

Special Effects Technician:
Lawrence Decker
Shawn Roberts
Bob Riggs
Mitch Toles
Christopher Walsh
Shone Taylor

Stand In:
Daniel James Chavez
J. Alexander Douglas

Steadicam Operator:
James Goldman

Still Photographer:
Richard Foreman Jr.

Storyboard Artist:
Jonathan Gesinski

Studio Teacher:
Eva Jensen

Stunt Coordinator:
Mario 'Pikachu' Rojas
Doug Coleman

Stunt Double:
Daniel James Chavez
Vanessa Zamarripa

Stunt Driver:
Chris Palermo
Ed Duran
Mickey Giacomazzi
Allan Padelford

Stunts:
Thomas Rosales Jr.
Omar Ayala
Al Goto
Peter Epstein
Whitney Coleman
Rebecca Hill Casey
Amos Carver
Bobby Burns
Joe Bucaro III
Paul E. Short
John Trejo
Saleem Watley
Jimmy Ortega
Ed Duran

Supervising ADR Editor:
Katy Wood

Supervising Sound Editor:
Alan Robert Murray

Transportation Coordinator:
Patrick A. Reynolds Jr.

Travel Coordinator:
Brian Austin Wenrich
Andy Ochoa

Unit Publicist:
Wolf Schneider

VFX Editor:
Guillaume Poulin

Video Assist Operator:
Justin Gonzales

Visual Effects Coordinator:
Lucy Cooke
Sarah Elizabeth Howe
Louis-Charles Lapointe
Heather Martini
Patricia Leblanc

Visual Effects Editor:
Céline Zapater

Visual Effects Producer:
Melanie La Rue

Visual Effects Production Assistant:
Alexandra Robert
Jessica Toucoula
Widy Haral
Emmanuelle Ngan Sing
Frederique Gollain

Visual Effects Production Manager:
Nancy Lamontagne

Visual Effects Supervisor:
Alexandre Lafortune
Derek Wentworth

Wigmaker:
Stacey Butterworth

Writer:
Taylor Sheridan

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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