Joe Rossi

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Alias:
Joeseph A. Rossi
Joseph A. Rossi

Additional information:

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Assistant Makeup Artist:
2001  Prozac Nation

Makeup Artist:
1998  Meet Joe Black
2000  State and Main
2001  Prozac Nation
2001  Session 9
2003  Mona Lisa Smile
2009  Bride Wars
2009  Ghosts of Girlfriends Past
2009  Tanner Hall
2012  Here Comes the Boom
2016  The Finest Hours
2017  Detroit

Makeup Department Head:
1998  Meet Joe Black
2000  State and Main
2001  Osmosis Jones
2001  Prozac Nation
2001  Session 9
2003  Mona Lisa Smile
2007  Underdog
2008  The Clique
2009  Bride Wars
2009  Ghosts of Girlfriends Past
2009  Tanner Hall
2010  Locked In
2012  Here Comes the Boom
2014  The Forger
2016  The Finest Hours
2016  The Purge: Election Year
2017  Detroit

Makeup Effects:
1988  Mutant War
1998  Meet Joe Black
2000  State and Main
2001  Osmosis Jones
2001  Prozac Nation
2001  Session 9
2003  Mona Lisa Smile
2007  Underdog
2008  The Clique
2009  Bride Wars
2009  Ghosts of Girlfriends Past
2009  Tanner Hall
2010  Locked In
2012  Here Comes the Boom
2014  The Forger
2016  The Finest Hours
2016  The Purge: Election Year
2017  Detroit

Key Makeup Artist:
2019  NOS4A2

Makeup Department Head:
2011  Body of Proof
2019  NOS4A2
2020  The Expecting

Special Effects Makeup Artist:
2011  Body of Proof
2019  NOS4A2
2020  The Expecting

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.