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The Forger (2014) [R]

Release Date:
September 10, 2014

Original Title:
The Forger

Alternate Titles:
Der Auftrag - Für einen letzten Coup ist es nie zu spät!
Der Auftrag - The Forger
El Falsificador
THE FORGER 天才贋作画家 最後のミッション：2014

Genres:
Crime | Drama | Thriller

Production Companies:
Code Entertainment
Freedom Media
Siren Digital - Hollywood
The Solution

Production Countries:
United States of America

Ratings / Certifications:
BR: 16  DE: 12  ES: 7  FR: 12  HU: 16  JP: G  US: R 

Runtime: 95

Never too late for a final blow

Overview from TheMovieDB

A former child art prodigy and second generation petty thief arranges to buy his way out of prison to spend time with his ailing son, only to be forced to alter his plans and commit one more job for the man who financed his release.

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Performers

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Production

Art Department Coordinator:
Laura G. Foley

Assistant Art Director:
Bryan Felty

Associate Producer:
Karen Irvin

Casting:
Lindsay Graham Ahanonu
Mary Vernieu

Co-Executive Producer:
Linda Favila
Anson Downes

Co-Producer:
Kim Olsen
Richard D'Ovidio

Costume Design:
Abigail Murray

Costume Supervisor:
Virginia B. Johnson

Director:
Philip Martin

Director of Photography:
John Bailey

Editor:
Peter Boyle
Joan Sobel

Executive Producer:
Gordon Bijelonic
Phil Stephenson
Randi Michel
Lisa Wilson
Jonathan Dana
Myles Nestel

Hairstylist:
Kristen Barry
Michelle Johnson

Line Producer:
Mark Donadio
Cyndi Brenner

Makeup Department Head:
Joe Rossi

Original Music Composer:
Rob Cairns

Post Production Supervisor:
Sherwood Jones

Producer:
Rob Carliner
Al Corley
Bart Rosenblatt
Eugene Musso

Production Design:
Derek R. Hill

Property Master:
R. Vincent Smith

Screenplay:
Richard D'Ovidio

Script Supervisor:
Betsy Kuehn

Set Costumer:
Maili Lafayette
Honah Lee Milne

Set Decoration:
Kim Leoleis

Set Decoration Buyer:
Bridget Keefe

Stunt Coordinator:
Paul Marini

Stunt Double:
Shawnna Thibodeau

Visual Effects Supervisor:
Chris Ervin

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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