A work in constant progress (and occasional regress).
Release Date:
January 17, 2025
Original Title:
Presence
Alternate Titles:
A Presença
Linh Hồn Bảo Hộ
Presença
Přítomnost
プレゼンス 存在
感应
Genres:
Drama | Horror | Thriller
Production Companies:
Extension 765
The Spectral Spirit Company
Production Countries:
United States of America
Ratings / Certifications:
AR: +16 AU: MA 15+ BR: 16 CA: 14A CL: 14 ES: 16 FI: K-16 FR: 12 GB: 15 GR: K15 HU: 16 IE: 15A IL: 14 IN: A JP: PG12 LT: N-16 MX: B-15 NZ: R16 PH: R-13 PR: R PT: M/14 RU: 18+ SE: 15 SG: M18 TH: 13 TR: 16+ TW: 15+ UA: 16+ US: R ZA: 16
Runtime: 84
A couple and their children move into a seemingly normal suburban home. When strange events occur, they begin to believe there is something else in the house with them. The presence is about to disrupt their lives in unimaginable ways.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Additional Grip:
Jonathan Dahan
Art Direction:
Clay Brown
Assistant Editor:
Kate Caratenuto
Assistant Location Manager:
Nicholas DeWitt
Assistant Property Master:
Steve Cascarelli
Associate Editor:
Corey Bayes
Associate Producer:
Claire Kenny
David 'Gus' Gustafson
Samara Levenstein
Best Boy Grip:
Jeff Clark
Boom Operator:
Ken Strain
Camera Operator:
Steven Soderbergh
Dexter Kennedy
Casting:
Carmen Cuba
Casting Associate:
Salvatore Schiavone
Chief Lighting Technician:
Derek Gross
Co-Producer:
H.H. Cooper
Colorist:
Nat Jencks
Costume Design:
Marci Rodgers
Costumer:
Makeda Richards
Dialogue Editor:
Josh Berger
Director:
Steven Soderbergh
Director of Photography:
Steven Soderbergh
Drone Pilot:
Jon Graham
Editor:
Steven Soderbergh
Executive Producer:
David Koepp
Corey Bayes
First Assistant Camera:
Troy Sola
First Assistant Director:
H.H. Cooper
Hair Department Head:
Annemarie Bradley
In Memory Of:
F. Asnerbergh
M. Asnerbergh
Key Grip:
Mike Morini
Key Hair Stylist:
Stanley Hall
Key Makeup Artist:
Anette Lian-Williams
Elisa Tallerico
Key Rigging Grip:
Alan Blagg
Lighting Technician:
Alex Ciaramello
Location Manager:
Katherine Delaney
Location Scout:
Chris Coyne
Ernie Karpeles
Makeup Department Head:
Roxanne Rizzo
Music Supervisor:
Season Kent
Original Music Composer:
Zack Ryan
Producer:
Ken Meyer
Julie M. Anderson
Production Assistant:
Chanel Mowatt
Production Coordinator:
Shima Majidi
Production Design:
April Lasky
Production Sound Mixer:
Thomas Varga
Property Master:
Michael Jortner
Script Supervisor:
Stacy Rowe
Second Assistant Camera:
James Drummond
Second Assistant Director:
Eric Calatayud
Set Decoration:
Imogen Lee
Set Dresser:
Bryan DeFilippis
Sound Effects Editor:
Dave Paterson
Sound Re-Recording Mixer:
Josh Berger
Special Effects Coordinator:
Mark Bero
Special Effects Supervisor:
Devin Maggio
Special Effects Technician:
Caleb P. Johnson
Will Caban
Eric Miller
Still Photographer:
Sarah Shatz
Stunt Coordinator:
Tracey Ruggiero
Stunt Double:
David Armstrong
Travis Staton-Marrero
Supervising Sound Editor:
Glenfield Payne
Tailor:
Heather Denny
Unit Production Manager:
Julie M. Anderson
Utility Stunts:
Shane Geraghty
Mark Fichera
Scott Burik
Michael Viola
VFX Artist:
Aarif Attarwala
Samantha Diaz
Visual Effects Producer:
Billy McMillen
Jared Biunno
Visual Effects Supervisor:
Yuval Levy
Wardrobe Supervisor:
Richard Gross
Writer:
David Koepp
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.