A work in constant progress (and occasional regress).
Alias:
Renetta Amador
Birthplace:
Wichita Falls, Texas, USA
Born:
August 1, 1970
Director:
2020 Processing
2024 Gummies
Producer:
2020 Processing
2024 Gummies
Script Supervisor:
2003 Cliché
2008 Autopsy
2008 Insanitarium
2009 (500) Days of Summer
2009 TiMER
2011 Insidious
2012 Bad Ass
2012 The Butterfly Room
2013 Dark Skies
2013 Don Jon
2013 Evidence
2013 Insidious: Chapter 2
2013 The Lords of Salem
2014 Bad Ass 2: Bad Asses
2014 Beyond the Lights
2014 Mockingbird
2014 Ouija
2014 Wish I Was Here
2015 Always Watching: A Marble Hornets Story
2015 The Lazarus Effect
2016 31
2016 Incarnate
2017 The Babysitter
2018 A Wrinkle in Time
2018 Hotel Artemis
2019 3 from Hell
2019 Candy Corn
2019 Marriage Story
2019 The Curse of La Llorona
2020 Processing
2020 Promising Young Woman
2023 80 for Brady
2024 Carry-On
2024 Gummies
2025 Ella McCay
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.