A work in constant progress (and occasional regress).
Release Date:
December 13, 2020
Original Title:
Promising Young Woman
Alternate Titles:
Gelecek Vaat Eden Genç Kadın
Lupaava nuori nainen
Una joven prometedora
สาวซ่าส์ล่าบัญชีแค้น
有前途的年轻女子
프라미싱 영 우먼
Genres:
Crime | Drama | Thriller
Production Companies:
FilmNation Entertainment
LuckyChap Entertainment
Production Countries:
United States of America
Ratings / Certifications:
AR: 16 AU: MA15+ BR: 16 CA: 14A CH: 16 CZ: 15+ DE: 16 DK: 15 ES: 16 FI: K-12 FR: TP GB: 15 GR: Κ-15 HK: IIB HU: 16 IE: 16 IT: 14+ JP: PG12 KR: 15 LT: N-16 MX: B15 NL: 12 NO: 15 NZ: R PL: 16 PT: M/14 RU: 18+ SE: 15 SG: NC16 SK: 15 UA: 16+ US: R
Runtime: 113
A young woman, traumatized by a tragic event in her past, seeks out vengeance against those who crossed her path.
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"A" Camera Operator:
Mike McGowan
Dennis Dwyer
ADR Editor:
Miriam Cole
ADR Mixer:
Simon Sampath-Kumar
Jeffrey Roy
Sam Burden
ADR Voice Casting:
Johnny Gidcomb
Additional Editor:
Emily Freund
Additional Hairstylist:
LeeAnn Brittenham
Additional Set Dresser:
Amber Satchell
Aaron Ferenc
Nandor Szilagyi
Art Department Coordinator:
Dan Tiffany
Art Direction:
Liz Kloczkowski
Assistant Chef:
Carlos L. Rodriguez
Hugo Maldonado
Eduardo Rodriguez
Assistant Property Master:
Ken Levin
Best Boy Electric:
Brian Fosnaugh
Best Boy Grip:
Dennis Pires
Sam A. Camm
Benjamin R. Sherman
Boom Operator:
Sean Byrnes
Christopher Sposa
Casting:
Mary Vernieu
Lindsay Graham Ahanonu
Casting Assistant:
Karrie Martin
Casting Associate:
Patricia Rhinehart
Chef:
Felipe Rodriguez
Clearances Coordinator:
Jay Floyd
Co-Producer:
Fiona Walsh
Color Assistant:
Dylan S. Buser
Colorist:
Katie Jordan
Conductor:
Gottfried Rabl
Construction Coordinator:
Jeremy Stecker
Costume Design:
Nancy Steiner
Costume Supervisor:
Claudia Sarbu
Craft Service:
Gregor Matosian
Taguhi Matosian
Hrant Matosian
Dailies Operator:
Andrei Klein
Dialect Coach:
Tim Monich
Dialogue Editor:
Rob Nokes
Digital Imaging Technician:
Chase A. Abrams
Director:
Emerald Fennell
Director of Photography:
Benjamin Kracun
Dolly Grip:
Brad Carr
Driver:
Robert Dargenzio
Ted Joneson
Chris Schimel
Stefanie Zoric
Gordon Hill
Michael Baker
D'Aldo R. Fazzone
Salvador Mejia
Edward Lassak
Eli Lozano
Brandi Andrews
Ian Overson
Michael Medlin
Tom Neal
Michael Hurwitz
Ryan H. Spaeth
Editor:
Frédéric Thoraval
Electrician:
James Cox, Jr.
Keith Batchelor
Yanis Rutmanis
Loren Johnson
Epk Camera Operator:
Sovonto Green
Epk Producer:
Alexis Barzin
Kimberly Panunzio
Executive Producer:
Carey Mulligan
Glen Basner
Alison Cohen
Milan Popelka
Extras Casting:
Susan Turner
Michelle Gabriel
Finishing Producer:
Amy Redfern
First Assistant "A" Camera:
Sarah Brandes
First Assistant "B" Camera:
Alicia Pharris
First Assistant Accountant:
Robin Frazee
First Assistant Director:
Michael T. Meador
Foley Artist:
Leslie Bloome
Joanna Fang
Foley Editor:
Nick Seaman
Laura Heinzinger
Foley Mixer:
Ryan Collison
Connor Nagy
Gaffer:
Jon McGinty
Graphic Designer:
Ashley Hankla
Greensman:
Steven Hanks
Grip:
Robert Dulany
Adam J. Ruiz
Michael Kerr
Hair Department Head:
Daniel Curet
Imaging Science:
Matthew Tomlinson
Key Grip:
Sergio Silva
Edward Rene Apodaca
Key Hair Stylist:
Bryson Conley
Leadman:
Elizabeth R. Rosenbaum
Loader:
LaTerrian Officer-McIntosh
Location Manager:
Kieron Estrada
Makeup Department Head:
Angela Wells
Music Coordinator:
Jackie Mulhearn
Jillian Ennis
Music Editor:
Philip Tallman
Music Supervisor:
Susan Jacobs
Musician:
Liliana Hussen
On Set Dresser:
Lindsay Woodcox
Orchestrator:
Steven Baker
Original Music Composer:
Anthony B. Willis
Payroll Accountant:
Jeff Waddell
Phantom Operator:
Tom Heigl
Playback Coordinator:
Rachel Allen
Post Production Accountant:
Cathy Gurvis
Post Production Coordinator:
Quinn Kawata
Post Production Supervisor:
Tim Pedegana
Producer:
Emerald Fennell
Margot Robbie
Tom Ackerley
Josey McNamara
Ben Browning
Ashley Fox
Producer's Assistant:
Roni Stein
Rachel Rubin
Charlotte Nichol
Production Accountant:
Stan Conger
Production Assistant:
Joshua Nelson
Erin B. Taylor
Nandy McClean
Alina Verenich
Monica Broccolo
Justin Hong
Madeline G. Phelps
Cynthia Marín
Allison Lipscomb
Jennifer Browne
Kira Hoover
Production Coordinator:
Brittany Margaritis
Production Design:
Michael Perry
Production Secretary:
Alyssa Appleton
Property Master:
Kevin Hummel
Score Engineer:
Martin Weismayr
Felipe Pacheco
Scoring Mixer:
Phil McGowan
Script Supervisor:
Renetta G. Amador
Seamstress:
Tesa R. Diaz
Second Assistant "A" Camera:
Rochelle T.A. Brown
Second Assistant Director:
Alexander Armero
Second Second Assistant Director:
Anthony Manzo
Set Costumer:
Matthew Carey
Set Decoration:
Rae Deslich
Set Decoration Buyer:
Lia Lopez-Burrows
Jackie Trudel
Set Dresser:
Jessie Meehan
Kalise Wallace
Nancy T. McLeod
Set Medic:
Eloy Lara
Songs:
Josette Maskin
Katie Gavin
Naomi McPherson
Sound Mixer:
Robert Eber
Sound Re-Recording Mixer:
Frédéric Dubois
Scott Weber
Special Effects Coordinator:
John P. Cazin
Special Effects Technician:
Jeffrey S. Elliott
Stand In:
Austin Talynn Carpenter
Carlo Sciortino
Steadicam Operator:
Dennis Dwyer
Mike McGowan
Still Photographer:
Merie Weismiller Wallace
Stunt Coordinator:
Casey Adams
Stunts:
Shauna Duggins
Monette Moio
Supervising Sound Editor:
Frédéric Dubois
Title Designer:
Joseph Ahn
Aaron Becker
Transportation Captain:
David Christenson
Transportation Coordinator:
Louis Dargenzio
Unit Production Manager:
Reena Magsarili
Unit Publicist:
James Ferrera
Video Assist Operator:
Bob Branam
Visual Effects:
Jeremy Cox
Emily Freund
Visual Effects Compositor:
Mattaniah Yip
Linda Tremblay
Visual Effects Producer:
Chapel Folger
Visual Effects Supervisor:
John Stewart
Gregory D. Liegey
Vocals:
Kelly Adams
Emily Rosen
Writer:
Emerald Fennell
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
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Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.