Home

The Curse of La Llorona (2019) [R]

Release Date:
April 17, 2019

Original Title:
The Curse of La Llorona

Alternate Titles:
La Llorona
La Maldición de la Llorona
Lanetli Gözyasları
The Children
The Curse of the Crying Woman
The Curse of the Weeping Woman
המקוללת: קללת לה יורונה
הקללה של לה יורונה
מקוללת: קללת לה יורונה
คำสาปมรณะจากหญิงร่ำไห้
ラ・ヨローナ 泣く女

Genres:
Horror

Production Companies:
Atomic Monster
Emile Gladstone Productions
New Line Cinema

Production Countries:
United States of America

Ratings / Certifications:
AU: M  BR: 14  CZ: 15+  DE: 16  DK: 15  ES: 16  FI: K-16  FR: 12|16  GB: 15  HU: 18  IE: 16  IL: 16  KR: 15  NL: 16  PL: 18  PT: M/16  RO: 15  RU: 18+  SE: 15  SG: NC16  SK: 15  TR: 15+  US: R 

Runtime: 93

She Wants Your Children.

Overview from TheMovieDB

In 1970s Los Angeles, ignoring the eerie warning of a troubled mother suspected of child endangerment, a social worker and her own young kids are soon drawn into a frightening supernatural realm.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Trailer

Clip

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

Performers

Click the heading above to show or hide the list.

Production

"A" Camera Operator:
Michael Burgess

"B" Camera Operator:
Craig Bauer

ADR Editor:
Michelle Pazer

ADR Mixer:
Brian Magrum
Bob Lacivita
Judah Getz

Art Department Coordinator:
Stacee Hammond

Art Direction:
Alyssa Hill

Assistant Chief Lighting Technician:
Nathan Dean Fetzer

Assistant Location Manager:
Rich Heichel

Assistant Sound Editor:
Andrew Bock

Boom Operator:
Tim Song Jones

Casting Director:
Rich Delia

Chief Lighting Technician:
Nicholas Kaat

Co-Producer:
Victoria Palmeri
Judson Scott

Construction Coordinator:
Drew Rebelein

Costume Design:
Megan Spatz

Dialogue Editor:
Michelle Pazer

Digital Imaging Technician:
Oliver Mancebo

Digital Intermediate Colorist:
Walter Volpatto

Digital Intermediate Producer:
Angelique Perez
Pamela Scott-Farr

Director:
Michael Chaves

Director of Photography:
Michael Burgess

Dolly Grip:
Peter Weidenfeller

Editor:
Peter Gvozdas

Executive Producer:
Richard Brener
Michelle Morrissey
Michael Clear
Walter Hamada
Dave Neustadter

First Assistant "A" Camera:
Steven Cueva

First Assistant Accountant:
Coleen Aiello

First Assistant Director:
Jeffrey Wetzel

First Assistant Editor:
Alain J. Romi

Foley Artist:
Tim McKeown
Mike Horton

Foley Editor:
Walter Spencer

Grip:
Sean Burris

Hair Department Head:
Traci E. Smithe

Insert Unit Director:
Aaron A. Goffman

Key Grip:
Pat O'Mara

Makeup Department Head:
Eleanor Sabaduquia

Music Editor:
Julie Pearce

Orchestrator:
Dana Niu

Original Music Composer:
Joseph Bishara

Post Production Supervisor:
Pamela Winn-Barnett

Producer:
James Wan
Gary Dauberman
Emile Gladstone

Production Accountant:
Joel Tokarsky

Production Design:
Melanie Jones

Property Master:
Annie Brandt
Aaron A. Goffman

Script Supervisor:
Renetta G. Amador

Second Assistant "A" Camera:
Jozo Zovko

Second Assistant Director:
Marc Newland

Second Second Assistant Director:
Phil DeSanti

Set Costumer:
Monavie Tutop

Set Dresser:
Tim Dodge
Pj Aguilera

Sound Designer:
Scott Martin Gershin

Sound Effects Editor:
Jesse Garcia
Masanobu 'Tomi' Tomita
Jamie Hardt

Sound Re-Recording Mixer:
Joe Barnett
Adam Jenkins

Special Effects Makeup Artist:
Gage Hubbard

Studio Teacher:
Belinda McCormick

Stunt Coordinator:
Kurt Bryant

Stunts:
Kelli Barksdale
Amanda Hall
Noelle Therese Mulligan
Linda Kessler
Alice Rietveld
Michael Owen
Olivia Summers
Ator Tamras
Juliana Potter

Supervising ADR Editor:
Michael D. Wilhoit

Supervising Sound Editor:
Dave McMoyler

Transportation Captain:
Tina Peterson

Transportation Coordinator:
Kevin Caira

Unit Production Manager:
Philip Waley
Carrie Morrow

Unit Publicist:
James Ferrera

Visual Effects Editor:
Lorena Talpan

Writer:
Mikki Daughtry
Tobias Iaconis

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.