A work in constant progress (and occasional regress).
Release Date:
April 17, 2019
Original Title:
The Curse of La Llorona
Alternate Titles:
La Llorona
La Maldición de la Llorona
Lanetli Gözyasları
The Children
The Curse of the Crying Woman
The Curse of the Weeping Woman
המקוללת: קללת לה יורונה
הקללה של לה יורונה
מקוללת: קללת לה יורונה
คำสาปมรณะจากหญิงร่ำไห้
ラ・ヨローナ 泣く女
Genres:
Horror
Production Companies:
Atomic Monster
Emile Gladstone Productions
New Line Cinema
Production Countries:
United States of America
Ratings / Certifications:
AU: M BR: 14 CZ: 15+ DE: 16 DK: 15 ES: 16 FI: K-16 FR: 12|16 GB: 15 HU: 18 IE: 16 IL: 16 KR: 15 MX: C NL: 16 PL: 18 PT: M/16 RO: 15 RU: 18+ SE: 15 SG: NC16 SK: 15 TR: 15+ US: R
Runtime: 93
In 1970s Los Angeles, ignoring the eerie warning of a troubled mother suspected of child endangerment, a social worker and her own young kids are soon drawn into a frightening supernatural realm.
"A" Camera Operator:
Michael Burgess
"B" Camera Operator:
Craig Bauer
ADR Editor:
Michelle Pazer
ADR Mixer:
Judah Getz
Bob Lacivita
Brian Magrum
Art Department Coordinator:
Stacee Hammond
Art Direction:
Alyssa Hill
Assistant Chief Lighting Technician:
Nathan Dean Fetzer
Assistant Location Manager:
Rich Heichel
Assistant Sound Editor:
Andrew Bock
Boom Operator:
Tim Song Jones
Casting Director:
Rich Delia
Chief Lighting Technician:
Nicholas Kaat
Co-Producer:
Victoria Palmeri
Judson Scott
Construction Coordinator:
Drew Rebelein
Costume Design:
Megan Spatz
Dialogue Editor:
Michelle Pazer
Digital Imaging Technician:
Oliver Mancebo
Digital Intermediate Colorist:
Walter Volpatto
Digital Intermediate Producer:
Angelique Perez
Pamela Scott-Farr
Director:
Michael Chaves
Director of Photography:
Michael Burgess
Dolly Grip:
Peter Weidenfeller
Editor:
Peter Gvozdas
Executive Producer:
Richard Brener
Walter Hamada
Michelle Morrissey
Michael Clear
Dave Neustadter
First Assistant "A" Camera:
Steven Cueva
First Assistant Accountant:
Coleen Aiello
First Assistant Director:
Jeffrey Wetzel
First Assistant Editor:
Alain J. Romi
Foley Artist:
Mike Horton
Tim McKeown
Foley Editor:
Walter Spencer
Grip:
Sean Burris
Hair Department Head:
Traci E. Smithe
Insert Unit Director:
Aaron A. Goffman
Key Grip:
Pat O'Mara
Makeup Department Head:
Eleanor Sabaduquia
Music Editor:
Julie Pearce
Orchestrator:
Dana Niu
Original Music Composer:
Joseph Bishara
Post Production Supervisor:
Pamela Winn-Barnett
Producer:
James Wan
Gary Dauberman
Emile Gladstone
Production Accountant:
Joel Tokarsky
Production Design:
Melanie Jones
Property Master:
Annie Brandt
Aaron A. Goffman
Script Supervisor:
Renetta G. Amador
Second Assistant "A" Camera:
Jozo Zovko
Second Assistant Director:
Marc Newland
Second Second Assistant Director:
Phil DeSanti
Set Costumer:
Monavie Tutop
Set Dresser:
Pj Aguilera
Tim Dodge
Sound Designer:
Scott Martin Gershin
Sound Effects Editor:
Masanobu 'Tomi' Tomita
Jesse Garcia
Jamie Hardt
Sound Re-Recording Mixer:
Adam Jenkins
Joe Barnett
Special Effects Makeup Artist:
Gage Hubbard
Studio Teacher:
Belinda McCormick
Stunt Coordinator:
Kurt Bryant
Stunts:
Noelle Therese Mulligan
Kelli Barksdale
Linda Kessler
Amanda Hall
Olivia Summers
Ator Tamras
Alice Rietveld
Michael Owen
Juliana Potter
Supervising ADR Editor:
Michael D. Wilhoit
Supervising Sound Editor:
Dave McMoyler
Transportation Captain:
Tina Peterson
Transportation Coordinator:
Kevin Caira
Unit Production Manager:
Carrie Morrow
Philip Waley
Unit Publicist:
James Ferrera
Visual Effects Editor:
Lorena Talpan
Writer:
Mikki Daughtry
Tobias Iaconis
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.