Real Women Have Curves (2002) [PG-13]

Release Date:
October 18, 2002

Original Title:
Real Women Have Curves

Alternate Titles:
Красотки худыми не бывают
리얼 위민 해브 커브

Genres:
Comedy | Drama

Production Companies:
HBO Films
LaVoo Productions
Newmarket Films

Production Countries:
United States of America

Ratings / Certifications:
CH: 16  CZ: 15+  HU: 16  PL: 16  US: PG-13 

Runtime: 86

Real women take chances, have flaws, embrace life...

Freshly graduated from high school, Ana receives a full scholarship to Columbia University. Her very traditional, old-world parents feel that now is the time for Ana to help provide for the family, not the time for college.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

ADR Editor:
Paul Longstaffe
Jennifer Mann
Ruth Adelman

ADR Mixer:
Weldon Brown
Robert Deschaine
Ann Hadsell

ADR Recordist:
Tami Treadwell
Claudia Carle

Accountant:
Amy Agzarian

Additional Editor:
Janelle Ashley Nielson

Art Direction:
Deborah Riley
Amy R. Strong

Assistant Accountant:
Gina Amador

Assistant Art Director:
Mark Molina

Assistant Location Manager:
Victor Borrayo

Assistant Production Coordinator:
Amy Flanders

Best Boy Electric:
Tim Durr

Boom Operator:
Speed Ratliff

Camera Operator:
Patrick Rousseau

Casting:
Ellyn Long Marshall
Maria E. Nelson

Co-Producer:
Marilyn R. Atlas

Colorist:
Larry Manke

Construction Coordinator:
Billy Salsberg

Costume Design:
Elaine Montalvo

Costumer:
Rochelle Best
Cesar Magana

Dialogue Editor:
Ruth Adelman
Jennifer Mann
Paul Longstaffe

Director:
Patricia Cardoso

Director of Photography:
Jim Denault

Dolly Grip:
Chris Gordon

Editor:
Sloane Klevin

First Assistant Camera:
Marco Fargnoli

First Assistant Director:
Julian Petrillo

Foley Artist:
Zane D. Bruce
Joseph T. Sabella

Foley Editor:
Mark R. Crookston

Gaffer:
Louis DiCesare

Graphic Designer:
Luis Blackaller

Grip:
Alfred Castillo

Key Grip:
Scott M. Robinson
Richard Redlin

Key Hair Stylist:
Angela Gurule

Key Makeup Artist:
Rosemary Lawrence

Leadman:
Treven Bedwell

Location Manager:
Christopher Miller

Makeup Artist:
Nicole Sortillon Amos

Music Consultant:
Evyen Klean

Music Editor:
Fernando Romay
Shannon Erbe

Music Supervisor:
Margaret Guerra Rogers

Original Music Composer:
Heitor Pereira

Producer:
Effie Brown
George LaVoo

Production Coordinator:
M. Vanessa Coto

Production Design:
Brigitte Broch

Production Supervisor:
Nicole Colombie

Property Master:
Cynthia Nibler

Rigging Gaffer:
Corwin A. Bibb

Screenplay:
George LaVoo
Josefina Lopez

Script Supervisor:
Lynn Sisco

Second Assistant Camera:
Doug Oh

Second Assistant Director:
Catherine Marie McDonald

Set Costumer:
Alison Stein

Set Dresser:
Peter Mathus
Stacy L. Henning
Rob Henning

Sound Designer:
Michael Kamper

Sound Editor:
Edmond J. Coblentz Jr.

Sound Mixer:
John Taylor

Sound Re-Recording Mixer:
Drew Webster
Rick Ash
Joe Earle

Still Photographer:
Nicola Goode

Supervising Sound Editor:
Glenn T. Morgan

Theatre Play:
Josefina Lopez

Transportation Captain:
Richard 'Rico' Rivera

Transportation Coordinator:
Sandra Ninham

Unit Production Manager:
Effie Brown

Wardrobe Supervisor:
Nancy Au

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.