A work in constant progress (and occasional regress).
ADR Editor:
2005 The White Countess
2008 Ghost Town
2009 The Limits of Control
2011 Peace, Love & Misunderstanding
2012 Mighty Fine
2012 The Paperboy
2016 Cell
2017 Three Billboards Outside Ebbing, Missouri
2018 mid90s
2022 On the Count of Three
ADR Supervisor:
2005 The White Countess
2008 Ghost Town
2009 The Limits of Control
2011 Peace, Love & Misunderstanding
2011 The Adjustment Bureau
2012 Mighty Fine
2012 The Paperboy
2013 Only Lovers Left Alive
2016 Cell
2017 The Greatest Showman
2017 Three Billboards Outside Ebbing, Missouri
2018 mid90s
2022 On the Count of Three
2023 Barbie
Dialogue Editor:
2005 Heights
2005 The White Countess
2006 The Hip Hop Project
2007 Anamorph
2007 Fierce People
2008 Ghost Town
2009 The Limits of Control
2011 Peace, Love & Misunderstanding
2011 The Adjustment Bureau
2012 Mighty Fine
2012 On the Road
2012 The Paperboy
2013 Only Lovers Left Alive
2014 A Walk Among the Tombstones
2014 Into the Woods
2016 Cell
2017 The Greatest Showman
2017 Three Billboards Outside Ebbing, Missouri
2018 Night School
2018 The Ballad of Buster Scruggs
2018 To All the Boys I've Loved Before
2018 mid90s
2019 Glass
2019 Little Women
2022 On the Count of Three
2023 Barbie
Sound Re-Recording Mixer:
2005 Heights
2005 The White Countess
2006 The Hip Hop Project
2007 Anamorph
2007 Fierce People
2008 Ghost Town
2009 The Limits of Control
2011 Peace, Love & Misunderstanding
2011 The Adjustment Bureau
2012 Mighty Fine
2012 On the Road
2012 The Paperboy
2013 Only Lovers Left Alive
2013 The Immigrant
2014 A Walk Among the Tombstones
2014 Into the Woods
2016 Cell
2017 The Greatest Showman
2017 Three Billboards Outside Ebbing, Missouri
2018 Night School
2018 The Ballad of Buster Scruggs
2018 To All the Boys I've Loved Before
2018 mid90s
2019 Glass
2019 Little Women
2022 On the Count of Three
2023 Barbie
Supervising ADR Editor:
2005 Heights
2005 The White Countess
2006 The Hip Hop Project
2007 Anamorph
2007 Fierce People
2008 Ghost Town
2009 The Limits of Control
2011 Peace, Love & Misunderstanding
2011 The Adjustment Bureau
2011 Tower Heist
2012 Mighty Fine
2012 On the Road
2012 The Paperboy
2013 Only Lovers Left Alive
2013 The Immigrant
2014 A Walk Among the Tombstones
2014 Into the Woods
2016 Cell
2017 The Greatest Showman
2017 Three Billboards Outside Ebbing, Missouri
2018 Night School
2018 The Ballad of Buster Scruggs
2018 To All the Boys I've Loved Before
2018 mid90s
2019 Glass
2019 Little Women
2022 On the Count of Three
2023 Barbie
Supervising Dialogue Editor:
2005 Heights
2005 The White Countess
2006 The Hip Hop Project
2007 Anamorph
2007 Fierce People
2008 Ghost Town
2009 The Limits of Control
2011 Peace, Love & Misunderstanding
2011 The Adjustment Bureau
2011 Tower Heist
2012 Mighty Fine
2012 On the Road
2012 The Paperboy
2013 Only Lovers Left Alive
2013 The Immigrant
2014 A Walk Among the Tombstones
2014 Into the Woods
2016 Cell
2017 The Greatest Showman
2017 Three Billboards Outside Ebbing, Missouri
2018 Night School
2018 The Ballad of Buster Scruggs
2018 To All the Boys I've Loved Before
2018 mid90s
2019 Glass
2019 Little Women
2019 The Good Liar
2021 In the Heights
2022 On the Count of Three
2023 Barbie
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.