A work in constant progress (and occasional regress).
Release Date:
September 13, 2011
Original Title:
Peace, Love & Misunderstanding
Alternate Titles:
Peace, love and misunderstanding
Genres:
Comedy | Drama | Romance
Production Companies:
Atlas Film
Voltage Pictures
Production Countries:
United States of America
Ratings / Certifications:
DE: 6
Runtime: 96
A conservative lawyer named Diane takes her two teenage children Jake and Zoe to meet their estranged, hippie grandmother in Woodstock after her husband asks for a divorce.
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ADR Editor:
Brian Bowles
ADR Mixer:
Reilly Steele
Accountant:
Colette Hallinan
Additional Music Supervisor:
Matt Rocker
Animal Wrangler:
Sarah Hutchings
Jeff Goldenbaum
Art Department Assistant:
Amy Teitter
Art Direction:
Elise G. Viola
Assistant Chief Lighting Technician:
Ralph G. Crowley
Assistant Costume Designer:
Kate Jones
Assistant Craft Service:
Buck Benik
Assistant Director:
Peter Hutchings
Assistant Editor:
David Gray
Jeremy Newmark
Assistant Extras Casting:
Dan Rejto
Assistant Location Manager:
Abigail Zealey Bess
Assistant Music Supervisor:
Tyler Westen
Assistant Production Coordinator:
Parry Creedon
Assistant Property Master:
Kathleen Dolan
Keri Lederman
Attorney:
Sheri Jeffrey
Best Boy Electric:
Michael Hunold
Best Boy Grip:
Bernard X. Brongniart
Boom Operator:
Seth Tallman
Camera Loader:
Jeff Pinette
Camera Operator:
Bryan Cloninger
Bruce MacCallum
Leo Sandler
Mark Schmidt
Carpenter:
Fred Piesco
Casting:
Kerry Barden
Paul Schnee
Casting Associate:
Rich Delia
Allison Estrin
Charge Scenic Artist:
Jon Ringbom
Chef:
Philippe Gallichet
Chief Lighting Technician:
Andy Day
Clearances Consultant:
Abigail Kende
Co-Executive Producer:
Peter Graham
Stephen Hays
Co-Producer:
Richard Cowan
Wendy Cox
Color Timer:
Lance Spindler
Colorist:
Jeremy Newmark
Compositing Artist:
Linus Hofmann
Rachel Uwa
Construction Coordinator:
John J. Ciccimarro
Construction Foreman:
Steve Sysko
Construction Grip:
Jamie Merritt
Tom Popola
Costume Design:
Johann Stegmeir
Costume Supervisor:
Amy Andrews
Taylor Rierden
Craft Service:
Patrick Mahoney
Dialogue Editor:
Brian Bowles
Sylvia Menno
Digital Imaging Technician:
Thomas Gilmour
Director:
Bruce Beresford
Director of Photography:
Andre Fleuren
Dolby Consultant:
Thomas Kodros
Dolly Grip:
John Krause
Driver:
Scott Bucciero
Dan Buckman
David Buckman
Mike Canales
Martin Dodge
Kenneth Garrison
Fernando Garzon
Greg Jacobs
Alex Ortiz
William Speranza
Timothy Wallin
Dave Thompson
Paul Wiener
Editor:
John David Allen
Electrician:
John Alcantara
Christopher Liscinsky
Executive Producer:
Christina Mengert
Joseph Muszynski
Extras Casting:
Brian Keady
Extras Casting Assistant:
Brian DiLorenzo
Dan Rejto
First Assistant "A" Camera:
Heather Norton
First Assistant "B" Camera:
Josh Blakeslee
First Assistant Director:
Richard Cowan
Foley Artist:
Jay Peck
Foley Editor:
Matthew Haasch
Foley Mixer:
Ryan Collison
Genetator Operator:
Jamie Gallagher
Graphic Designer:
Mark Bachman
Kevin L. Raper
Greensman:
Bonnie Thompson
Grip:
Cesar Baptista
Kevin Cahill
Anwar Payne
Ian Pratt
Hair Department Head:
Aaron F. Quarles
Hairstylist:
Frank Vazquez
Head Greensman:
Mike Thompson
Key Carpenter:
Jose Amor
Key Construction Grip:
Thomas Hocking
Key Grip:
Matt Blades
Key Hair Stylist:
Mark Schmidt
Key Makeup Artist:
Sandra Linn Koepper
Key Production Assistant:
James Macolino
Legal Services:
Iddo Arad
Location Assistant:
Josh Benoliel
Location Coordinator:
Drew Schofer
Location Manager:
Daniel Strol
Loop Group Coordinator:
Jeremy Jones
Makeup Artist:
Pat Moore-Theis
Makeup Department Head:
Lori Hicks
Music Consultant:
Brian Keady
Music Coordinator:
Suzanne Hilleary
Music Editor:
Christopher Kennedy
Music Programmer:
Kevin Cloninger
Music Supervisor:
Stephen Endelman
Brian Jackson Harris
On Set Dresser:
Thomas Hudson Reeve
Tom West
Orchestrator:
Spencer David Hutchings
Original Music Composer:
Spencer David Hutchings
Post Production Supervisor:
Sarah Connors
Producer:
Claude Dal Farra
Brice Dal Farra
Jonathan Burkhart
Lauren Munsch
Production Accountant:
John 'JR' Craigmile
Production Assistant:
Maria Elena Maurin
Production Coordinator:
Lauren Heath
Simone Lageoles
Production Design:
Carl Sprague
Property Buyer:
Robert Holtzman
Susan Raney
Property Master:
Ann Miller
Rigging Supervisor:
Charlie Grubbs
Scenic Artist:
Virginia Gifford
Tim Hawkins
Holly Moore
Mary Owens
Eric Schappach
Steven Shellooe
Script Supervisor:
Renee Burke
Seamstress:
Clara Poteau
Second Assistant "A" Camera:
Daniel Casey
Second Assistant "B" Camera:
Russell Geltman
Second Assistant Director:
Stephen P. Del Prete
Second Second Assistant Director:
Scott Foster
Second Unit Director of Photography:
Bruce MacCallum
Set Costumer:
Tracy Nishimoto
Lucia Shapiro
Omar S. Simmons
Set Decoration:
Robert Schleinig
Set Dresser:
John Ashton
Robert Holtzman
Set Medic:
Bob Broder
Set Production Assistant:
Sandi Greenberg
David Massee
Sound Effects Editor:
Glenfield Payne
Sound Mixer:
Damian Canelos
Jeremy Jones
Sound Re-Recording Mixer:
Robert Hein
Robert Fernandez
Sound Recordist:
Jeremy Jones
Special Effects:
Johann Kunz
Special Effects Assistant:
Walt Van Lieu
Special Effects Coordinator:
Peter Kunz
Stand In:
Edward Crawford
Greg Furman
Steadicam Operator:
Mark Schmidt
Still Photographer:
Jacob Hutchings
Supervising Sound Editor:
Robert Hein
Theme Song Performance:
Rob Kolar
Transportation Captain:
Jim Buckman
Transportation Co-Captain:
Peter Connors
Unit Production Manager:
Wendy Cox
Utility Sound:
Vince Reed Camuto
Video Assist Operator:
Andrew Cavagnet
Visual Effects Supervisor:
Chris De Santo
Wardrobe Assistant:
Anne Marie Robinson
Wigmaker:
Martial Corneville
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.