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Stephane Ceretti (b. 1973)

Alias:
Stéphane Ceretti

Birthplace:
France

Born:
September 24, 1973

Biography from TheMovieDB

Stéphane Ceretti (born 24 September 1973) is a French visual effects supervisor. Ceretti began his career as an animator later transferring over to a VFX supervisor at BUF Compagnie in Paris. He moved to London, UK in 2008 where he worked at Moving Picture Company and Method Studios.  In 2013, Ceretti moved to Los Angeles where he now lives and works. In 2014, he worked on Guardians of the Galaxy as the Marvel Visual Effects Supervisor. He was nominated alongside Nicolas Aithadi, Jonathan Fawkner and Paul Corbould at the 87th Academy Awards and at the 68th British Academy Film Awards for Special Visual Effects.  In 2016, he worked on Doctor Strange as the Marvel Visual Effects Supervisor. Nominated alongside Richard Bluff, Vincent Cirelli and Paul Corbould at the 89th Academy Awards for Best Achievement in Visual Effects and at the 70th British Academy Film Awards for Special Visual Effects.

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Additional information:

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Film Performances

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Film Production

VFX Supervisor:
2006  Silent Hill

Visual Effects Supervisor:
2004  Alexander
2005  Batman Begins
2006  Silent Hill
2006  The Prestige
2008  Babylon A.D.
2012  Cloud Atlas
2014  Guardians of the Galaxy
2016  Doctor Strange
2018  Ant-Man and the Wasp
2019  Avengers: Endgame
2021  Eternals
2022  The Guardians of the Galaxy Holiday Special
2023  Guardians of the Galaxy Vol. 3
2025  Superman

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.