A work in constant progress (and occasional regress).
Birthplace:
Sherman, Texas, USA
Born:
November 23, 1898
Died:
July 28, 1984
From Wikipedia, the free encyclopedia Bess Flowers (November 23, 1898 – July 28, 1984) was an American actress. By some counts considered the most prolific actress in the history of Hollywood, she was known as "The Queen of the Hollywood Extras," appearing in over 700 movies in her 41 year career. Born in Sherman, Texas, Flowers's film debut came in 1923, when she appeared in Hollywood. She made three films that year, and then began working extensively. Many of her appearances are uncredited, as she generally played non-speaking roles. By the 1930s, Flowers was in constant demand. Her appearances ranged from Alfred Hitchcock and John Ford thrillers to comedic roles alongside of Charley Chase, the Three Stooges, Leon Errol, Edgar Kennedy, and Laurel and Hardy. She appeared in the following five films which won the Academy Award for Best Picture: It Happened One Night, You Can't Take it with You, All About Eve, The Greatest Show on Earth, and Around the World in Eighty Days. In each of these movies, Flowers was uncredited. Including these five movies, she had appeared in twenty-three Best Picture nominees in total, making her the record holder for most appearances in films nominated for the award. Her last movie was Good Neighbor Sam in 1964. Flowers's acting career was not confined to feature films. She was also seen in many episodic American TV series, such as I Love Lucy, notably in episodes, "Lucy Is Enceinte" (1952), "Ethel's Birthday" (1955), and "Lucy's Night in Town" (1957), where she is usually seen as a theatre patron. Outside her acting career, in 1945, Bess Flowers helped to found the Screen Extras Guild (active: 1946-1992, then merged with SAG), where she served as one of its first vice-presidents and recording secretaries.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.