A work in constant progress (and occasional regress).
Featuring:
Bette Davis, George Brent, Eugene Pallette
Written by:
Michael Arlen
Charles Kenyon
Directed by:
Alfred E. Green
Release Date:
May 23, 1936
Original Title:
The Golden Arrow
Alternate Titles:
La Flèche d'or
Genres:
Comedy | Family
Production Companies:
Warner Bros. Pictures
Production Countries:
United States of America
Ratings / Certifications:
US: NR
Runtime: 68
A fake heiress marries a common reporter to thwart the advances of gold-digging playboys.
It's the Florida party season for heiresses, with both Oklahoma oil heiress Hortense Burke-Meyers and New York face cream heiress Daisy Appleby in the state. And where the single American heiresses are, the European bachelor set wanting their hand in marriage are close at hand. While nouveau riche, uncouth Hortense courts the attention, the excitement and the European bachelors clamoring after her, Daisy is more reclusive, wanting to stay out of the party scene and limelight by hiding aboard her yacht. Daisy desperately wants to marry for love, and not marry because it makes good print (and thus sell more face cream for her father), especially as she knows those European men are only after her money. So Daisy offers a proposition to Johnny Jones, a Florida Star newspaper reporter she befriends: marry her out of convenience. What she wants is that marriage license to dissuade all those European suitors while she quietly searches for that true love, a man with simple, American values. In turn, she knows that Johnny doesn't want her money or a society life, all he wanting is a quiet place to write his novel and a small stipend equal to his meager newspaper wage just to live on his own terms. In entering into this agreement, Daisy doesn't count on her father's PR man Jorgenson trying to make Johnny into a society man he doesn't want to be. Daisy is also hiding two secrets from Johnny, one of those secrets being that she has found the man she truly loves: him. She is afraid that if she reveals the other bigger secret, she may never get the opportunity to make him fall in love with her.
Art Direction:
Anton Grot
Costume Design:
Orry-Kelly
Director:
Alfred E. Green
Director of Photography:
Arthur Edeson
Editor:
Thomas Pratt
Executive Producer:
Jack L. Warner
Hal B. Wallis
Original Music Composer:
Heinz Roemheld
Producer:
Samuel Bischoff
Screenplay:
Charles Kenyon
Story:
Michael Arlen
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.