A work in constant progress (and occasional regress).
Featuring:
Katharine Hepburn, Robert Taylor, Robert Mitchum
Written by:
Edward Chodorov
Thelma Strabel
George Oppenheimer
Directed by:
Vincente Minnelli
Release Date:
November 11, 1946
Original Title:
Undercurrent
Alternate Titles:
Correntes Ocultas
Corrientes ocultas
Der unbekannte Geliebte
Dolda känslor
Ellenáramlat
Estranha Revelação
Lame de fond
Salattuja tunteita
Skies ypopsias
Tragico segreto
Trágico secreto
Understrøm
Verborgen stroming
W kregu zla
Подводное течение
Genres:
Drama | Thriller
Production Companies:
Metro-Goldwyn-Mayer
Production Countries:
United States of America
Ratings / Certifications:
US: NR
Runtime: 116
After a rapid engagement, a dowdy daughter of a chemist weds an industrialist, knowing little of his family or past. He transforms her into an elegant society wife, but becomes enraged whenever she asks about Michael, his mysterious long-lost brother.
Approaching middle age, spinster Ann Hamilton, the daughter of Science Professor David Hamilton - more affectionately referred to as Dink - is intelligent, but dowdy and unsophisticated, she who never expects to get married and does nothing beyond be her tomboyish self in an effort to attract a man. Being single does not bother her as she repeatedly turns down the marriage proposal of Dink's colleague, Professor Joseph Bangs, a man she does not love. So it is with some surprise to her that she not only likes Alan Garroway, a wealthy and handsome industrialist who is doing business with Dink, but that they fall in love and get married after a whirlwind courtship. Alan made his wealth during the war in a family started business which ended up being a parts supplier to the military for their aircraft. In their bi-coastal marriage - Alan's company's headquarters in San Francisco, while he grew up and still owns property in Middleburg, Virginia, outside of Washington, DC where he has many friends in high society - Ann begins to have doubts primarily concerning two aspects. First, she feels out of place in his high society world, and like she is the laughing stock among his friends. He is able to quell her fears about this issue as he acts as her guide to fashion and society behavior. Second, and arguably more important, Ann begins to feel she doesn't really know Alan, mostly as he hid from her the fact that he has a brother, Michael Garroway, from who he is estranged and whose whereabouts he does not know. Michael was once part of the business in its early struggling days, but they parted when Alan caught him stealing from the company. Although she loves and trusts Alan, Ann begins to feel a kinship to what little she learns of Michael through her own investigation, which could place her at odds with Alan, and place her life in potential danger at either the hands of Alan or Michael, which of the two depending on if Alan is telling her the truth about his brother.
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Additional Music:
Mario Castelnuovo-Tedesco
Art Direction:
Cedric Gibbons
Randall Duell
Assistant Director:
Norman Elzer
Conductor:
Herbert Stothart
Costume Supervisor:
Irene
Director:
Vincente Minnelli
Director of Photography:
Karl Freund
Editor:
Ferris Webster
Hair Designer:
Sydney Guilaroff
Makeup Department Head:
Mel Berns
Makeup Designer:
Jack Dawn
Music Supervisor:
André Previn
Orchestrator:
Albert Sendrey
Original Music Composer:
Herbert Stothart
Producer:
Pandro S. Berman
Production Illustrator:
Mentor Huebner
Props:
Solly Martino
Screenplay:
Edward Chodorov
Set Decoration:
Edwin B. Willis
Sound Director:
Douglas Shearer
Stand In:
Katherine Doyle
Story:
Thelma Strabel
Stunt Double:
John Daheim
Unit Manager:
Jack Gertsman
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