A work in constant progress (and occasional regress).
Alex Bailey works as a still photographer for film productions.
Additional Photography:
2024 Damsel
Other:
1999 Joseph and the Amazing Technicolor Dreamcoat
2024 Damsel
Still Photographer:
1994 Before the Rain
1994 The Madness of King George
1995 Angels and Insects
1995 Funny Bones
1995 Richard III
1997 The Disappearance of Finbar
1997 Zeus & Roxanne
1998 Elizabeth
1998 Sliding Doors
1999 Joseph and the Amazing Technicolor Dreamcoat
2001 Bridget Jones's Diary
2001 Enemy at the Gates
2001 Lara Croft: Tomb Raider
2004 The Phantom of the Opera
2004 Troy
2005 The Descent
2007 Sunshine
2008 The Other Boleyn Girl
2009 Sherlock Holmes
2009 The Boat That Rocked
2010 Brighton Rock
2010 Never Let Me Go
2011 The Awakening
2012 Gambit
2012 Snow White and the Huntsman
2014 Black Sea
2015 Far from the Madding Crowd
2015 Victor Frankenstein
2016 Me Before You
2017 Kingsman: The Golden Circle
2017 Life
2017 Tulip Fever
2017 Wonder Woman
2018 Bohemian Rhapsody
2018 Juliet, Naked
2018 Swimming with Men
2020 Come Away
2020 Enola Holmes
2020 Eternal Beauty
2020 Make Up
2022 Enola Holmes 2
2023 Greatest Days
2024 Damsel
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.