A work in constant progress (and occasional regress).
Release Date:
December 28, 1994
Original Title:
The Madness of King George
Alternate Titles:
As Loucuras do Rei George
Den gale kong George
Den galne kung George
Hullu kuningas
King George – Ein Königreich für mehr Verstand
Kongens galskap
Kral George'un Deliliği
La Folie du roi George
La Locura del Rey Jorge
La pazzia di Re Giorgio
Ludilo kralja Džordža
Nebunia regelui George
Szaleństwo króla Jerzego
Šílenství krále Jiřího
Безумие короля Георга
Божевілля короля Георга
Лудостта на крал Джордж
瘋狂喬治王
神經大帝
英国万歳!
Genres:
Comedy | Drama | History
Production Companies:
Close Call Films
Film4 Productions
Samuel Goldwyn Company
Production Countries:
United Kingdom
Ratings / Certifications:
DE: 12 GB: PG KR: 15 US: PG-13
Runtime: 107
Aging King George III of England is exhibiting signs of madness, a problem little understood in 1788. As the monarch alternates between bouts of confusion and near-violent outbursts of temper, his hapless doctors attempt the ineffectual cures of the day. Meanwhile, Queen Charlotte and Prime Minister William Pitt the Younger attempt to prevent the king's political enemies, led by the Prince of Wales, from usurping the throne.
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Art Department Assistant:
Sabrina Lamonica
Jane Henwood
Art Direction:
John Fenner
Assistant Costume Designer:
Irene Bohan
Assistant Dialogue Editor:
Pat Gilbert
Assistant Editor:
Adrian Trent
Assistant Foley Artist:
Graham Parrow
Assistant Makeup Artist:
Deborah Taylor
Assistant Sound Editor:
Elaine 'Chucks' Thomas
Best Boy Electrician:
Ronnie Rampton
Camera Trainee:
Philip Hill
Casting:
Celestia Fox
Conductor:
Nicholas Kraemer
Controller:
Liz Barron
Costume Assistant:
Victoria Harwood
Frank Simon
Stephen Miles
Steve Pokol
Costume Design:
Mark Thompson
Costume Mistress:
Anna Kot
Costume Supervisor:
Sue Honeyborne
Dialogue Editor:
Jim Shields
Director:
Nicholas Hytner
Director of Photography:
Andrew Dunn
Draughtsman:
Dennis Bosher
John Siddall
Dressing Prop:
Danny Skundric
Editor:
Tariq Anwar
Electrician:
Danny Young
Paul Wood
George White
John Turner
First Assistant Camera:
Patricia Vanover
First Assistant Director:
Mary Soan
First Assistant Editor:
Christopher Lloyd
Foley Artist:
Jean Sheffield
Roy Baker
Foley Editor:
Stan Fiferman
Gaffer:
Jim Beeby
Grip:
Mike House
Hair Designer:
Lisa Westcott
Line Producer:
Mark Cooper
Location Manager:
Rachel Neale
Makeup Artist:
Helen Barrett
Makeup Designer:
Lisa Westcott
Music:
Keith Grant
Music Supervisor:
Eliza Thompson
Original Music Composer:
George Fenton
Producer:
David Parfitt
Stephen Evans
Production Coordinator:
Vivien Jordan
Production Design:
Ken Adam
Production Sound Mixer:
David Crozier
Property Buyer:
Leith Boler
Property Master:
Jamie Wilkinson
Maurice Jones
Props:
Doug Purdy
Researcher:
Miles Barton
Screenplay:
Alan Bennett
Script Supervisor:
Jean Bourne
Second Assistant Camera:
Nick Penn
Second Assistant Director:
Finn McGrath
Set Decoration:
Carolyn Scott
Sound Engineer:
Clive Copland
Sound Re-Recording Mixer:
Robin O'Donoghue
Dominic Lester
Sound Recordist:
John Casali
Standby Art Director:
Mark Raggett
Standby Property Master:
Malcolm Benstead
Jim Parker
Steadicam Operator:
Nigel Kirton
Still Photographer:
Alex Bailey
Keith Hamshere
Storyboard Artist:
Paul Garner
Jane Clark
Supervising Art Director:
Martin Childs
Supervising Sound Editor:
Christopher Ackland
Theatre Play:
Alan Bennett
Third Assistant Director:
Stuart Renfrew
Video Assist Operator:
David Toft
Wardrobe Master:
Anthony Brookman
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.