A work in constant progress (and occasional regress).
Alias:
Жульєт Бінош
茱麗葉·畢諾許
줄리엣 비노쉬
줄리엣 비노슈
쥘리에트 비노쉬
쥘리에트 비노슈
Birthplace:
Paris, France
Born:
March 9, 1964
Juliette Binoche (born 9 March 1964) is a French actress, artist and dancer. She has appeared in more than 40 feature films, been recipient of numerous international accolades, is a published author and has appeared on stage across the world. Coming from an artistic background, she began taking acting lessons during adolescence. After performing in several stage productions, she was propelled into the world of auteurs Jean-Luc Godard (Hail Mary, 1985), Jacques Doillon (Family Life, 1985) and André Téchiné, who made her a star in France with the leading role in his 1985 drama Rendez-vous. Her sensual performance in her English-language debut The Unbearable Lightness of Being (1988), directed by Philip Kaufman, launched her international career. She sparked the interest of Steven Spielberg, who offered her several parts including a role in Jurassic Park which she declined, choosing instead to join Krzysztof Kieslowski on the set of Three Colors: Blue (1993), a performance for which she won the Venice Film Festival Award for Best Actress and a César. Three years later Binoche gained further acclaim in Anthony Minghella’s The English Patient (1996), for which she was awarded an Academy Award and a BAFTA for Best Supporting Actress in addition to the Best Actress Award at the 1997 Berlin Film Festival. For her performance in Lasse Hallström’s romantic comedy Chocolat (2000) Binoche was nominated for an Academy Award for Best Actress. During the 2000s she maintained a successful, critically acclaimed career, alternating between French and English language roles in both mainstream and art-house productions. In 2010 she won the Best Actress Award at the Cannes Film Festival for her role in Abbas Kiarostami’s Certified Copy making her the first actress to win the European “best actress triple crown”. Throughout her career Binoche has intermittently appeared on stage, most notably in a 1998 London production of Luigi Pirandello’s Naked and in a 2000 production of Harold Pinter's Betrayal on Broadway for which she was nominated for a Tony Award. In 2008 she began a world tour with a modern dance production in-i devised in collaboration with Akram Khan. Affectionately referred to as "La Binoche" by the French press, her other notable performances include: Mauvais Sang (1986), Les Amants du Pont-Neuf, Damage (1992), The Horseman on the Roof (1995), Code Unknown (2000), Caché (2005), Breaking and Entering (2006) and Flight of the Red Balloon (2007). Description above from the Wikipedia article Juliette Binoche, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Director:
???? Bike Me Up
Executive Producer:
2022 Between Two Worlds
???? Bike Me Up
Painter:
2014 Words and Pictures
2022 Between Two Worlds
???? Bike Me Up
Thanks:
2008 Shirin
2014 Words and Pictures
2022 Between Two Worlds
???? Bike Me Up
Writer:
2008 Shirin
2014 Words and Pictures
2022 Between Two Worlds
???? Bike Me Up
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.