The New Look (2024-2024)

Premiere:
February 13, 2024

# of Seasons: 1

# of Episodes: 10

Finale:
April 2, 2024

Creators:
Todd A. Kessler

Original Title:
The New Look

Alternate Titles:
Naujas įvaizdis
המראה החדש
نگاه جدید
新风貌
时尚战场

Genres:
Drama | War & Politics

Production Companies:
Apple Studios
dB-aK Pictures

Countries:
US

The shocking story of how fashion icon Christian Dior and his contemporaries including Coco Chanel, Pierre Balmain, and Cristóbal Balenciaga navigated the horrors of World War Il and launched modern fashion.

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ADR Supervisor:
Gina Alfano

Art Department Coordinator:
Maxime Legris

Art Direction:
Matthieu Beutter
Gerard Drolon

Assistant Location Manager:
Sophie Ohayon
Erwan Dore
Carmen Lima
Julien Feuillatre

Assistant Sound Editor:
Samantha Doyle

Best Boy Grip:
Pascal Rossignol

Boom Operator:
Pierre Madec

Casting:
Lucinda Syson
Juliette Ménager
Natasha Vincent
Nicolas Derouet

Casting Assistant:
Melody Gerard
Lada Imamovic
Rebecca Rossmaur

Clearances Coordinator:
Morgane Dechiron

Co-Executive Producer:
Carter Harris

Co-Producer:
Ethan Wellin

Colorist:
Dustin Wadsworth

Construction Manager:
Jérémie Chapelet

Costume Coordinator:
Frédéric Tournant

Costume Design:
Karen Muller Serreau

Costume Supervisor:
Catherine Boisgontier

Dailies Technician:
Olivier Landry

Dialogue Coach:
Rachel Williams

Dialogue Editor:
Roland Vajs

Executive In Charge Of Production:
Carol Dunn Trussell

Executive Producer:
Todd A. Kessler
Lorenzo di Bonaventura
Mark A. Baker

Executive Story Editor:
Ashlin Halfnight

Extras Casting:
Amélie Covillard

Extras Casting Assistant:
Yvelise Thibaut
Camille Brugere
Jeanne Betun

First Assistant "A" Camera:
François Vigon

Foley Editor:
Alison Gregory

Gaffer:
Laurent Héritier

Hair Designer:
Catherine Leblanc

Hair Supervisor:
Romain Marietti
Sidonie Constantien

Key Costumer:
Julie Miel

Key Grip:
Thibaut Guenois

Line Producer:
John Bernard

Location Manager:
Sébastien Didelot

Location Scout:
Stéphanie Perret

Makeup Designer:
Avril Carpentier

Makeup Supervisor:
Céline Planchenault
Sandrine Roman

Music Editor:
Nancy Allen

Music Producer:
Jack Antonoff
Jeff Delort
David Hadjadj

Music Supervisor:
Mark Wike

Online Editor:
Josh Perault

Original Music Composer:
James S. Levine

Post Production Coordinator:
Nick Fugette

Post Production Supervisor:
Heather Gross

Producer's Assistant:
Wendy Chaumont

Production Controller:
Benjamin Whitehouse

Production Coordinator:
Fred Millet

Production Design:
Anne Seibel

Production Manager:
Gilles Castera

Production Sound Mixer:
Santiago Paul

Property Master:
Mylene Riccardi

Script Coordinator:
Kelly Cook

Script Supervisor:
Laura Petoin

Sound Effects:
Alison Gregory

Sound Re-Recording Mixer:
Ryan Price

Special Effects Supervisor:
Olivier Zenenski

Staff Writer:
Matthew Fantaci

Story Editor:
Jason Rabe

Stunt Coordinator:
Philippe Guégan

Supervising Producer:
Ning Zhou
Dani Vetere

Supervising Sound Editor:
Mary Ellen Porto

Transportation Captain:
Camille Lepers
Antoine Bonneau
Pierre Accolas
Reza Boirahmady

Transportation Co-Captain:
Erwan Hiernard

Transportation Coordinator:
Camille Relier

Travel Coordinator:
Camille Gruman

Unit Production Manager:
Mark A. Baker

Visual Effects Coordinator:
Clément Ollivier

Visual Effects Editor:
Ben Slatkin
Denis Bedlow

Visual Effects Producer:
Alexandra Houillon

Visual Effects Supervisor:
Yann Blondel

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.