A work in constant progress (and occasional regress).
Premiere:
February 13, 2024
# of Seasons: 1
# of Episodes: 10
Finale:
April 2, 2024
Creators:
Todd A. Kessler
Original Title:
The New Look
Alternate Titles:
Naujas įvaizdis
המראה החדש
نگاه جدید
新风貌
时尚战场
Genres:
Drama | War & Politics
Production Companies:
Apple Studios
dB-aK Pictures
Countries:
US
The shocking story of how fashion icon Christian Dior and his contemporaries including Coco Chanel, Pierre Balmain, and Cristóbal Balenciaga navigated the horrors of World War Il and launched modern fashion.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
ADR Supervisor:
Gina Alfano
Art Department Coordinator:
Maxime Legris
Art Direction:
Matthieu Beutter
Gerard Drolon
Assistant Location Manager:
Sophie Ohayon
Erwan Dore
Carmen Lima
Julien Feuillatre
Assistant Sound Editor:
Samantha Doyle
Best Boy Grip:
Pascal Rossignol
Boom Operator:
Pierre Madec
Casting:
Lucinda Syson
Juliette Ménager
Natasha Vincent
Nicolas Derouet
Casting Assistant:
Melody Gerard
Lada Imamovic
Rebecca Rossmaur
Clearances Coordinator:
Morgane Dechiron
Co-Executive Producer:
Carter Harris
Co-Producer:
Ethan Wellin
Colorist:
Dustin Wadsworth
Construction Manager:
Jérémie Chapelet
Costume Coordinator:
Frédéric Tournant
Costume Design:
Karen Muller Serreau
Costume Supervisor:
Catherine Boisgontier
Dailies Technician:
Olivier Landry
Dialogue Coach:
Rachel Williams
Dialogue Editor:
Roland Vajs
Executive In Charge Of Production:
Carol Dunn Trussell
Executive Producer:
Todd A. Kessler
Lorenzo di Bonaventura
Mark A. Baker
Executive Story Editor:
Ashlin Halfnight
Extras Casting:
Amélie Covillard
Extras Casting Assistant:
Yvelise Thibaut
Camille Brugere
Jeanne Betun
First Assistant "A" Camera:
François Vigon
Foley Editor:
Alison Gregory
Gaffer:
Laurent Héritier
Hair Designer:
Catherine Leblanc
Hair Supervisor:
Romain Marietti
Sidonie Constantien
Key Costumer:
Julie Miel
Key Grip:
Thibaut Guenois
Line Producer:
John Bernard
Location Manager:
Sébastien Didelot
Location Scout:
Stéphanie Perret
Makeup Designer:
Avril Carpentier
Makeup Supervisor:
Céline Planchenault
Sandrine Roman
Music Editor:
Nancy Allen
Music Producer:
Jack Antonoff
Jeff Delort
David Hadjadj
Music Supervisor:
Mark Wike
Online Editor:
Josh Perault
Original Music Composer:
James S. Levine
Post Production Coordinator:
Nick Fugette
Post Production Supervisor:
Heather Gross
Producer's Assistant:
Wendy Chaumont
Production Controller:
Benjamin Whitehouse
Production Coordinator:
Fred Millet
Production Design:
Anne Seibel
Production Manager:
Gilles Castera
Production Sound Mixer:
Santiago Paul
Property Master:
Mylene Riccardi
Script Coordinator:
Kelly Cook
Script Supervisor:
Laura Petoin
Sound Effects:
Alison Gregory
Sound Re-Recording Mixer:
Ryan Price
Special Effects Supervisor:
Olivier Zenenski
Staff Writer:
Matthew Fantaci
Story Editor:
Jason Rabe
Stunt Coordinator:
Philippe Guégan
Supervising Producer:
Ning Zhou
Dani Vetere
Supervising Sound Editor:
Mary Ellen Porto
Transportation Captain:
Camille Lepers
Antoine Bonneau
Pierre Accolas
Reza Boirahmady
Transportation Co-Captain:
Erwan Hiernard
Transportation Coordinator:
Camille Relier
Travel Coordinator:
Camille Gruman
Unit Production Manager:
Mark A. Baker
Visual Effects Coordinator:
Clément Ollivier
Visual Effects Editor:
Ben Slatkin
Denis Bedlow
Visual Effects Producer:
Alexandra Houillon
Visual Effects Supervisor:
Yann Blondel
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.