A work in constant progress (and occasional regress).
Release Date:
May 12, 1994
Original Title:
Trois couleurs : Rouge
Alternate Titles:
Den röda filmen
Drei Farben: Rot
Red
Rouge
Three Colours: Red
Tres colores, Rojo
Tres colores: Rojo
Três Cores 3 A Fraternidade é Vermelha
Три боје: Црвено
سه رنگ : قرمز
红色情深
세 가지 색: 레드
세가지 색: 레드
Genres:
Drama | Mystery | Romance
Production Companies:
CAB Productions
France 3 Cinéma
MK2 Films
Studio Filmowe Tor
Production Countries:
France | Poland | Switzerland
Ratings / Certifications:
AU: M BR: 16 CZ: 15+ DE: 6 ES: APTA FI: K-12 FR: TP|12 GB: 15 GR: Κ-15 HU: 18 IE: 15 KR: 19 NL: 6 PL: 18 PT: M/12 SE: 11 TH: G US: R
Runtime: 100
Valentine, a student model in Geneva, struggles with a possessive boyfriend and a troubled family. When she runs over a dog, she discovers that its owner, a retired judge, is illegally wiretapping and eavesdropping on his neighbors' phone calls. Although Valentine is outraged, she develops a strange bond with the judge – and as the two become closer, she finds herself caught in the middle of events that could change her life.
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Assistant Camera:
Piotr Jaxa
Henryk Jedynak
Assistant Director:
Stan Latek
Assistant Editor:
Urszula Lesiak
Costume Design:
Corinne Jorry
Director:
Krzysztof Kieślowski
Director of Photography:
Piotr Sobociński
Editor:
Jacques Witta
Music Producer:
Halina Łaciak
Musician:
Jerzy Klocek
Elzbieta Towarnicka
Janusz Strobel
Original Music Composer:
Bertrand Lenclos
Zbigniew Preisner
Producer:
Marin Karmitz
Production Design:
Claude Lenoir
Recording Supervision:
Leszek Kamiński
Rafał Paczkowski
Screenplay:
Krzysztof Kieślowski
Krzysztof Piesiewicz
Second Unit Director:
Stan Latek
Second Unit Director of Photography:
Piotr Jaxa
Sound Designer:
Jean-Claude Laureux
Sound Editor:
Piotr Zawadzki
Still Photographer:
Piotr Jaxa
Story Consultant:
Edward Żebrowski
Agnieszka Holland
Piotr Sobociński
Stunt Double:
Lucien Abbet
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.