Eddy Joseph (b. 1945)

Birthplace:
Coleraine, Northern Ireland, UK

Born:
June 5, 1945

Eddy Joseph (born on 5 June 1945) is a British sound engineer. He was born in 1945, the son of a film producer Edward Joseph and was educated at Abingdon School from 1957 until 1962.  Eddy began work with Baker and Todman Accountants before joining the film industry in 1967 and became a sound editor in 1981.  In 1982 he won the BAFTA award for Best Sound, for Pink Floyd's 'The Wall'. In 2006 he repeated the earlier success by winning the BAFTA award for Best Sound once again, this time for Casino Royale.  Source: Article "Eddy Joseph" from Wikipedia in English, licensed under CC-BY-SA 3.0.

Additional information:

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ADR Editor:
1989  We're No Angels

Assistant Editor:
1972  Doomwatch
1973  And No One Could Save Her
1974  Blue Blood
1989  We're No Angels

Compositing Artist:
1972  Doomwatch
1973  And No One Could Save Her
1974  Blue Blood
1989  We're No Angels
2018  Two Graves

Dialogue Editor:
1972  Doomwatch
1973  And No One Could Save Her
1974  Blue Blood
1984  The Killing Fields
1988  Without a Clue
1989  We're No Angels
2018  Two Graves

Editor:
1972  Doomwatch
1973  And No One Could Save Her
1974  Blue Blood
1979  The Bitch
1984  The Killing Fields
1988  Without a Clue
1989  We're No Angels
2018  Two Graves

Foley Editor:
1972  Doomwatch
1973  And No One Could Save Her
1974  Blue Blood
1979  The Bitch
1984  The Killing Fields
1988  Without a Clue
1989  We're No Angels
1997  Bean
2018  Two Graves

Sound Designer:
1972  Doomwatch
1973  And No One Could Save Her
1974  Blue Blood
1979  The Bitch
1984  The Killing Fields
1988  Without a Clue
1989  We're No Angels
1997  Bean
2001  Enemy at the Gates
2018  Two Graves

Sound Editor:
1972  Doomwatch
1973  And No One Could Save Her
1974  Blue Blood
1979  The Bitch
1982  Pink Floyd: The Wall
1984  Birdy
1984  The Killing Fields
1988  Without a Clue
1989  Batman
1989  We're No Angels
1992  Damage
1997  Bean
2001  Enemy at the Gates
2018  Two Graves

Supervising Sound Editor:
1972  Doomwatch
1973  And No One Could Save Her
1974  Blue Blood
1979  The Bitch
1982  Pink Floyd: The Wall
1984  Birdy
1984  The Killing Fields
1988  Without a Clue
1989  Batman
1989  We're No Angels
1992  Damage
1992  The Crying Game
1994  Interview with the Vampire
1995  Copycat
1997  Bean
1998  Lost in Space
2001  Enemy at the Gates
2001  Harry Potter and the Philosopher's Stone
2003  Cold Mountain
2004  Two Brothers
2005  Charlie and the Chocolate Factory
2005  Corpse Bride
2006  Black Book
2006  Casino Royale
2006  United 93
2008  Quantum of Solace
2018  Two Graves

Supervising Sound Effects Editor:
1972  Doomwatch
1973  And No One Could Save Her
1974  Blue Blood
1979  The Bitch
1982  Pink Floyd: The Wall
1984  Birdy
1984  The Killing Fields
1988  Without a Clue
1989  Batman
1989  We're No Angels
1992  Damage
1992  The Crying Game
1994  Interview with the Vampire
1995  Copycat
1996  Evita
1997  Bean
1998  Lost in Space
2001  Enemy at the Gates
2001  Harry Potter and the Philosopher's Stone
2003  Cold Mountain
2004  Two Brothers
2005  Charlie and the Chocolate Factory
2005  Corpse Bride
2006  Black Book
2006  Casino Royale
2006  United 93
2008  Quantum of Solace
2018  Two Graves

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Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.