Vanessa Redgrave (b. 1937)

Alias:
Vanessa Redgreiv
Ванесса Редгрейв
바네사 레드그레이브

Birthplace:
Greenwich, London, England, UK

Born:
January 30, 1937

Vanessa Redgrave CBE (born 30 January 1937) is an English actress and political activist. Redgrave rose to prominence in 1961 playing Rosalind in the Shakespeare comedy As You Like It with the Royal Shakespeare Company and has since starred in more than 35 productions in London's West End and on Broadway, winning the 1984 Olivier Award for Best Actress in a Revival for The Aspern Papers, and the 2003 Tony Award for Best Actress in a Play for the revival of Long Day's Journey into Night. She also received Tony nominations for The Year of Magical Thinking and Driving Miss Daisy.  On screen she has starred in scores of films and is a six-time Oscar nominee, winning the Academy Award for Best Supporting Actress for the title role in the film Julia (1977). Her other nominations were for Morgan: A Suitable Case for Treatment (1966), Isadora (1968), Mary, Queen of Scots (1971), The Bostonians (1984), and Howards End (1992). Among her other films are A Man for All Seasons (1966), Blowup (1966), Camelot (1967), The Devils (1971), Murder on the Orient Express (1974), Prick Up Your Ears (1987), Mission: Impossible (1996), Atonement (2007), Coriolanus (2011), and The Butler (2013). Redgrave was proclaimed by Arthur Miller and Tennessee Williams as "the greatest living actress of our times", and has won the Oscar, Emmy, Tony, BAFTA, Olivier, Cannes, Golden Globe, and the Screen Actors Guild awards.  Description above from the Wikipedia article Vanessa Redgrave, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Additional information:

The Search Form


Director:
2017  Sea Sorrow

Executive Producer:
2004  The Fever
2017  Sea Sorrow

Producer:
1977  The Palestinian
2004  The Fever
2017  Sea Sorrow

Screenplay:
1977  The Palestinian
2004  The Fever
2017  Sea Sorrow

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.