Tom Riis Farrell

Tom Riis Farrell was born in Oceanside, New York. He attended Union College in Schenectady, New York, earning a BA in Theatre in 1981. His first film was Regarding Henry (1991), but he was edited out. Most recently, he appeared off-Broadway in The Resistible Rise of Arturo Ui, starring Al Pacino, Charles Durning, Tony Randall, John Goodman, Steve Buscemi, and Paul Giamatti. Prior to that, he was in the Broadway, San Francisco, Pasadena, and touring productions of Claudia Shear's play "Dirty Blonde," receiving a Helen Hayes Award and a Joseph Jefferson Award nomination for that performance. Other Broadway and Off-Broadway credits include "1776" (Roundabout and Gershwin Theatres); "Wrong Mountain" (Eugene O'Neill Theatre); "Li'l Abner" (Encores! at City Center); and "View of the Dome" (NY Theatre Workshop). Tom shows up in the movies Trust the Man (2005), Marie and Bruce (2004), The Stepford Wives (2004), Almost Famous (2000), Bringing Out the Dead (1999), The Out-of-Towners (1999), The Devil's Advocate (1997) and Sleepless in Seattle (1993). Television work includes Ed (2000), NYPD Blue (1993), Spin City (1996), four episodes of Law & Order (1990) and one of Law & Order: Criminal Intent (2001), as well as the television movies The Love Letter (1998) with Campbell Scott and Jennifer Jason Leigh, and The Deliverance of Elaine (1996) with Mare Winningham, Chris Cooper, and Lloyd Bridges.

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.