A work in constant progress (and occasional regress).
Release Date:
December 25, 2023
Original Title:
The Boys in the Boat
Alternate Titles:
Ils étaient un seul homme
Remando como un solo hombre
پسران قایقسوار
赛艇男孩
Genres:
Drama | History
Production Companies:
Metro-Goldwyn-Mayer
Smoke House Pictures
Spyglass Media Group
Production Countries:
United States of America
Ratings / Certifications:
AU: PG BR: 14 CA: 14A DE: 12 ES: 12 GB: 12A|12 IE: PG PR: PG-13 SG: PG US: PG-13 VI: PG-13
Runtime: 124
The triumphant underdog story of the University of Washington men's rowing team, who stunned the world by competing at the 1936 Berlin Olympics.
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"B" Camera Operator:
Rupert Power
ADR Mixer:
Mark DeSimone
ADR Recordist:
Jennie Breckenridge
ADR Voice Casting:
Patty Connolly
Additional Third Assistant Director:
Krishan Sharda
Aerial Camera:
Sam Thurston
Aerial Director of Photography:
Phil Arntz
Art Department Assistant:
Emily Roberts
Art Direction:
Claire Fleming
Alice Sutton
Kane Silks
Assistant Art Director:
Philippa Mumford
Peter Nation-Grainger
Assistant Costume Designer:
Jessica Albertson
Carla Monvid-Jenkinson
Assistant Editor:
Annamaria Pennazzi
Assistant Location Manager:
Ben Teicht
Matt Cowlam
Assistant Set Decoration:
Jessica Meredith
Phoebe Williams-Ellis
Assistant Sound Editor:
Dominika Latusek
Boom Operator:
Kate Morath
Camera Trainee:
Saskia Barnes
Carpenter:
Mike Mowatt
Casting:
Lucinda Syson
Rachel Tenner
Casting Assistant:
Lilly Mackie
Claire Chadwick
Josie Kemp
Casting Associate:
Lucy Taylor
Rick Messina
Natasha Vincent
Co-Producer:
Lee Grumett
Color Assistant:
Shing Hong Chan
Costume Assistant:
Benjamin Money
Nori Pesina
Costume Coordinator:
Rosie Allen
Costume Design:
Jenny Eagan
Costume Standby:
Spencer Lammy
Anna Spencer
Costume Supervisor:
Emily Egge
Costumer:
Brian Perkins
Dialogue Editor:
Max Walsh
Digital Imaging Technician:
Jay Patel
Director:
George Clooney
Director of Photography:
Martin Ruhe
Driver:
Maurice Batson
Drone Operator:
Steve Quan
Drone Pilot:
Peter Ayriss
Editor:
Tanya Swerling
Electrician:
Richard Follett
Adam Moody
Gary Owen
Executive Producer:
Kevin Ulrich
Peter Oillataguerre
Andy Mitchell
Gary Barber
Barbara A. Hall
Finishing Producer:
Cody Cardarelli
First Assistant "A" Camera:
Tobias Eedy
Arron Monkman
First Assistant "B" Camera:
Paul Snell
First Assistant Camera:
Rana Darwish
First Assistant Director:
Lee Grumett
First Assistant Editor:
Debs Richardson
First Assistant Sound Editor:
Renzo Garcia
Foley Artist:
Oliver Ferris
Sue Harding
Foley Supervisor:
Adam Mendez
Gaffer:
Julian White
Graphic Designer:
Betty Woodhouse
Hairstylist:
Chris Coles
Gemma Flaherty
Piotr Berkowicz
Anita Burger
Key Grip:
John Flemming
Vis Sopjani
Lighting Programmer:
Andy Munday
Lighting Technician:
Ross Brown
Location Assistant:
Cara Peel
Monty Eliot
Location Coordinator:
Aliya Parvez
Location Manager:
Mackenzie Crossland
Makeup Artist:
Rosie Sinfield
Charlotte Broadbent
Joanna Sim
Louise Perkins
Kirsten Sare
Makeup Supervisor:
Laura Blount
Makeup Trainee:
Macy Pemberton
Music Editor:
Gerard McCann
Music Supervisor:
Mandy Mamlet
Musician:
Laurence Ungless
Roger Linley
David Arch
Novel:
Daniel James Brown
Orchestrator:
Jean-Pascal Beintus
Nicolas Charron
Original Music Composer:
Alexandre Desplat
Post Production Assistant:
Agnaldo Rezende
Post Production Coordinator:
Julian Debrah
Producer:
George Clooney
Grant Heslov
Production Design:
Kalina Ivanov
Production Supervisor:
Steven Johnson
Rachel Rosser
Property Master:
Paul Oatway
Props:
Joshua Wheel
Colleen MacLeod
Charlie Fowler
Rigging Gaffer:
Thomas Royal
Screenplay:
Mark L. Smith
Script Supervisor:
James Leathers
Liz West
Second Assistant "A" Camera:
Mathew Clements
Second Assistant "B" Camera:
Josh Tilley
Second Assistant Camera:
Abigayle Blacow
Second Assistant Director:
Jo Tew
Second Assistant Sound:
Jordan Feemster
Jack Simpson
Second Unit Director of Photography:
Karsten Bloch Jacobsen
Set Decoration:
Judy Farr
Sound:
Louise Adair
Sound Designer:
Arthur Graley
Sound Re-Recording Mixer:
Todd Beckett
Geraldo Gutierrez
Special Effects Coordinator:
Ashleigh Marner
Special Effects Technician:
Chris Daw
Max Reader
Dewi Alun Foulkes
Duncan MacLeod
Standby Art Director:
Sara Hayward
Steadicam Operator:
Alessandro Brambilla
Rupert Power
Storyboard Artist:
Eric Yamamoto
Stunt Coordinator:
Andy Bennett
Stunt Double:
Luke Gomes
Stunts:
Christoph Cordell
Eldredd Wolf
Josh Dyer
Daniel Awde
Felix Leech
Supervising Art Director:
Simon Marsay
Supervising Sound Editor:
Dan Morgan
Julian Slater
Third Assistant Camera:
Rose Ryk
Third Assistant Director:
Illias Thoms
Ben Wicks
Title Designer:
Christian Antolin
Transportation Captain:
Stevie Kotey
Unit Production Manager:
Barbara A. Hall
Georgette Turner
Video Assist Operator:
Hamza F. Qureshi
Amir F. Qureshi
Visual Effects Producer:
Adam Broderick
Visual Effects Production Assistant:
Laura Pellin
Visual Effects Production Manager:
Joana Powell
Visual Effects Supervisor:
Jeremiah Sweeney
Diana Nikitina
Vincent Papaix
Geoffrey Basquin
Wardrobe Master:
Mark Almond
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.