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Martin Ruhe (b. 1965)

Birthplace:
Paderborn, North Rhine-Westphalia, Germany

Born:
January 1, 1965

Biography from TheMovieDB

Martin Ruhe (born 1965) is a German cinematographer working on films, commercials, and music videos. A member of the American Society of Cinematographers, he is perhaps best known for his work on the miniseries Catch-22 (2019), as well as the films Control (2007) and The Midnight Sky (2020), for which he was nominated for a British Independent Film Award and a Satellite Award, respectively.  Description above from the Wikipedia article Martin Ruhe, licensed under CC-BY-SA, full list of contributors on Wikipedia.

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Additional information:

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Film Production

Camera Operator:
2010  The American
2016  American Pastoral

Cinematography:
2009  Linear
2010  The American
2016  American Pastoral

Director of Photography:
2001  A Goddamn Job
2007  Control
2009  Harry Brown
2009  Linear
2009  The Countess
2010  The American
2011  Page Eight
2014  The Keeping Room
2015  Run All Night
2016  American Pastoral
2020  The Midnight Sky
2021  The Tender Bar
2023  The Boys in the Boat
2025  The Amateur

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TV Production

Director of Photography:
2017  Counterpart
2019  Catch-22

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.