Michelle Rodriguez (b. 1978)

Alias:
Mayte Michelle Rodriguez
Mayte Michelle Rodríguez
Michelle Rodríguez
Μισέλ Ροντρίγκεζ
Μισέλ Ροντρίγκες
Мишель Родригес
Мішель Родріґес
میشل رودریگز
ミシェル・ロドリゲス
米歇尔·罗德里格兹
米歇尔·罗德里格斯
蜜雪兒·羅德里奎茲
미셸 로드리게스

Birthplace:
Bexar County, Texas, USA

Born:
July 12, 1978

Mayte Michelle Rodríguez (born July 12, 1978), known professionally as Michelle Rodriguez, is an American actress, screenwriter, and DJ. She got her breakout role as a troubled boxer in the independent film Girlfight (2000), which was met with critical acclaim and earned her several awards, including the Independent Spirit Award and Gotham Award for Best Debut Performance. The following year, she starred as Letty Ortiz in the blockbuster film The Fast and the Furious (2001), reprising her role in its sequels Fast & Furious (2009), Fast & Furious 6 (2013), and Furious 7 (2015).  During her career, Rodriguez has played tough, independent women in a number of successful action films, such as Blue Crush, S.W.A.T., Battle: Los Angeles, and Avatar. She is also known for her roles as Shé in the action comedy films Machete and Machete Kills, and Rain Ocampo in the science fiction films Resident Evil and Resident Evil: Retribution.  Rodriguez also branched into television, playing Ana Lucia Cortez in the second season of the series Lost as part of the main cast, before making numerous guest appearances before the series ended. She has also done voice work in video games such as Call of Duty and Halo, and lent her voice for the 3D animated film Turbo and the television series IGPX.  With her films grossing over $5 billion collectively, a 2013 Entertainment Weekly article described Rodriguez as "arguably the most iconic actress in the action genre, as well as one of the most visible Latinas in Hollywood".

Additional information:

The Search Form


Executive Producer:
2020  Stuntwomen: The Untold Hollywood Story

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.