A work in constant progress (and occasional regress).
Release Date:
November 15, 2002
Original Title:
Ο Χαμένος Τα Παίρνει Όλα
Alternate Titles:
O hamenos ta pairnei ola
O Χαμενος Τα Παιρνει Ολα
Χαμενος Τα Παιρνει Ολα, Ο
Genres:
Action | Adventure | Drama
Production Companies:
EPT
Greek Film Centre
Production Countries:
Greece
Ratings / Certifications:
N/A
Runtime: 120
Man (Gianis Aggelakas), a mysterious man of the underworld, small time grifter and big time hard-man, who has an anarchic tendency to mumble and comment on the system, society, police, the underworld itself and other things, along with his beloved bird, Bellafonte, meets up with an odd posse consisting of kid, who is a young songwriter, a prostitute who gathers money in order to open a bookstore, an alcoholic girl haunted by the relationship with her dead mother, and the grudgey bar-woman-ex-girlfriend. The five of them get caught up in a scheme involving the media, the mob, politicians and the police. And they definitely want to get the hell out of the city, probably to some Caribbean paradise.
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Art Department Manager:
Vasilis Katavelakos
Assistant Camera:
Giorgos Mihelis
Kostas Lazanas
Assistant Director:
Christos Houliaras
Haris Kontoyannis
Assistant Set Decoration:
George Tasioulas
Angeliki Aristomenopoulou
Boom Operator:
Christos Papadopoulos
Casting:
Eleftheria Dimitromanolaki
Cinematography:
Kostas Gikas
Costume Design:
Marie-Louise Bartholomew
Director:
Nikos Nikolaidis
Editor:
Giorgos Triandafyllou
Executive Producer:
Vlassis Stathoulias
Lyricist:
Simeon Nikolaidis
Makeup Artist:
Katerina Oikonomidoy
Music:
Yiannis Angelakas
Original Music Composer:
Yiannis Angelakas
Producer:
Nikos Nikolaidis
Production Assistant:
Myrto Konitsioti
Kostas Makris
Vicky Nikoletou
Production Design:
Vlassis Stathoulias
Production Manager:
Nikos Nikolettos
Publicist:
Efi Papazachariou
Set Decoration:
Marie-Louise Bartholomew
Sound:
Antonis Samaras
Sound Editor:
Giorgos Triandafyllou
Sound Mixer:
Kostas Varympopiotis
Special Effects:
Dimitris Gerpinis
Writer:
Nikos Nikolaidis
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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