A work in constant progress (and occasional regress).
Alias:
Nikos G. Nikolaidis
Νίκος Νικολαΐδης
니코스 니콜라이디스
Birthplace:
Athens, Greece
Born:
October 25, 1939
Died:
September 5, 2007
Nikos Georgiou Nikolaidis was a Greek film director, screenwriter, film producer, writer, and stage director. He is considered a representative of European avant-garde and experimental art film.
Director:
1962 Lacrimae rerum
1968 Unconditionally
1975 Euridice BA 2037
1979 The Wretches Are Still Singing
1983 Sweet Bunch
1987 Morning Patrol
1990 Singapore Sling
1994 Girl With the Suitcases
1999 See You in Hell, My Darling
2002 The Loser Takes All
2005 The Zero Years
Editor:
1962 Lacrimae rerum
1968 Unconditionally
1975 Euridice BA 2037
1979 The Wretches Are Still Singing
1983 Sweet Bunch
1987 Morning Patrol
1990 Singapore Sling
1994 Girl With the Suitcases
1999 See You in Hell, My Darling
2002 The Loser Takes All
2005 The Zero Years
Producer:
1962 Lacrimae rerum
1968 Unconditionally
1975 Euridice BA 2037
1979 The Wretches Are Still Singing
1983 Sweet Bunch
1987 Morning Patrol
1990 Singapore Sling
1994 Girl With the Suitcases
1999 See You in Hell, My Darling
2002 The Loser Takes All
2005 The Zero Years
Screenplay:
1962 Lacrimae rerum
1968 Unconditionally
1970 Love forever
1975 Euridice BA 2037
1979 The Wretches Are Still Singing
1983 Sweet Bunch
1987 Morning Patrol
1990 Singapore Sling
1994 Girl With the Suitcases
1999 See You in Hell, My Darling
2002 The Loser Takes All
2005 The Zero Years
Writer:
1962 Lacrimae rerum
1968 Unconditionally
1970 Love forever
1975 Euridice BA 2037
1979 The Wretches Are Still Singing
1983 Sweet Bunch
1987 Morning Patrol
1990 Singapore Sling
1994 Girl With the Suitcases
1999 See You in Hell, My Darling
2002 The Loser Takes All
2005 The Zero Years
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.