A work in constant progress (and occasional regress).
Marie-Louise Bartholomew, married to late director Nikos Nikolaidis (1970–2007) with whom they had two children. She was also either the producer or at least involved in the production of all his eight feature films and two hundred advertisements.
Art Direction:
1983 Sweet Bunch
1990 Singapore Sling
2005 The Zero Years
Costume Design:
1979 The Wretches Are Still Singing
1983 Sweet Bunch
1987 Morning Patrol
1990 Singapore Sling
1999 See You in Hell, My Darling
2002 The Loser Takes All
2005 The Zero Years
Executive Producer:
1975 Euridice BA 2037
1979 The Wretches Are Still Singing
1983 Sweet Bunch
1987 Morning Patrol
1990 Singapore Sling
1999 See You in Hell, My Darling
2002 The Loser Takes All
2005 The Zero Years
Producer:
1975 Euridice BA 2037
1979 The Wretches Are Still Singing
1983 Sweet Bunch
1987 Morning Patrol
1990 Singapore Sling
1999 See You in Hell, My Darling
2002 The Loser Takes All
2005 The Zero Years
Production Design:
1975 Euridice BA 2037
1979 The Wretches Are Still Singing
1983 Sweet Bunch
1987 Morning Patrol
1990 Singapore Sling
1994 Girl With the Suitcases
1999 See You in Hell, My Darling
2002 The Loser Takes All
2005 The Zero Years
Set Decoration:
1975 Euridice BA 2037
1979 The Wretches Are Still Singing
1983 Sweet Bunch
1987 Morning Patrol
1990 Singapore Sling
1994 Girl With the Suitcases
1999 See You in Hell, My Darling
2002 The Loser Takes All
2005 The Zero Years
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.