A work in constant progress (and occasional regress).
Release Date:
April 5, 2001
Original Title:
El segundo aire
Genres:
Comedy | Drama | Romance
Production Countries:
Mexico
Ratings / Certifications:
N/A
Runtime: 98
Julia and Moises fell in love and got married when they were young, idealistic, and passionate; now in their 30s, their marriage has cooled and their lives have sunken into the mediocrity they had sought to avoid. This realization inspires a quest to regain the lost dreams of their youth, which is complicated when a handsome student begins to pursue Julia. She begins an affair with the fiery young activist that may just put the excitement back into her marriage. This is a funny and insightful exploration of the intricacies of relationships, love, and idealism, and Jesus Ochoa as Moises turns in a stellar performance.
Art Department Coordinator:
Ana Franca Álvarez Rascón
Art Direction:
Mirko von Berner
Assistant Director:
Bob Buchholz
Cinematography:
Patrick Murguia
Co-Producer:
Francisco González Compeán
Fernando Sariñana
Costume Design:
Adela Cortázar
Director:
Fernando Sariñana
Editor:
Roberto Bolado
Editorial Production Assistant:
Marcel Ferrer
Executive Producer:
Emilia Arau
First Assistant Director:
Daniel Camhi
Javier Solar
Key Makeup Artist:
Gabriela Benito
Location Manager:
Erick Ceballos Valdés
Music:
Enrique Quezadas
Music Coordinator:
Herminio Gutiérrez
Post Production Assistant:
Yuri Laguna
Mario Sandoval
Production Assistant:
Karla Vázquez
Screenplay:
Carolina Rivera
Second Assistant Director:
Jorge Riggen
Set Dresser:
Arturo Palafox
Cesar Palafox
Sound Designer:
Miguel Ángel Molina
Sound Effects Editor:
Saúl Almaráz
Still Photographer:
Dante Busquets
Unit Manager:
Humberto Domínguez
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.