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Alejandra Gollas (b. 1976)

Alias:
Alejandra Gollás
Alex Gilman
Alexandra Gollas
Ali Gollas

Birthplace:
Mexico City, Distrito Federal, Mexico

Born:
January 1, 1976

Biography from TheMovieDB

Alejandra Gollas, a bilingual actress, was the recipient of an Ariel Award nomination as Best Supporting Actress (the Mexican equivalent of an Academy Award) for her role in Efectos Secundarios (Side Effects), the first Warner Brothers' premium feature produced and filmed entirely in Mexico. She began her career as a child actress on the Mexican stage, coming to prominence at age 11 for her acclaimed portrayal of Helen Keller in "The Miracle Worker." She went on to become a national phenomenon portraying Adrianita in the telenovela "Quinceañera." In the award winning short "Liminal," directed by Stephen Keep Mills, Alejandra won Best Actress Awards at The Tregor Film Festival, The Levante International Film Festival and The Festival Du Film De Strasbourg. Recent film credits include Fidel, El Viaje de la Nonna, 31 Dias, Pulling Strings and Compulsion. Love is Not Love, directed by Stephen Keep Mills, provides her first lead in an English feature film. It had its world premiere at Cinequest Film Festival in March 2020. Alejandra won Best Actress Awards at The New Renaissance Film Festival and The Rosarito International Film Festival.

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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