Miguel Ángel Molina

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Sound:
2007  The Afternoon Has Eyes

Sound Designer:
2001  A second Chance
2001  Written on the Body of Night
2007  The Afternoon Has Eyes
2011  The Zebra
2012  The Convict Patient
2012  Three Voices
2014  Perfect Obedience
2015  The Last One and then We Go
2016  Number Eighty
2019  Rendez-vous
2020  Taken Identity

Sound Director:
2001  A second Chance
2001  Written on the Body of Night
2006  Sexo, amor y otras perversiones
2007  The Afternoon Has Eyes
2011  The Zebra
2012  The Convict Patient
2012  Three Voices
2014  Perfect Obedience
2015  The Last One and then We Go
2016  Number Eighty
2019  Rendez-vous
2020  Taken Identity

Sound Editor:
2001  A second Chance
2001  Written on the Body of Night
2006  Sexo, amor y otras perversiones
2007  The Afternoon Has Eyes
2011  The Zebra
2012  The Convict Patient
2012  Three Voices
2014  Perfect Obedience
2015  The Last One and then We Go
2016  Number Eighty
2017  The Other Side
2019  Rendez-vous
2020  Taken Identity

Sound Mixer:
2001  A second Chance
2001  Written on the Body of Night
2004  Charros
2006  Sexo, amor y otras perversiones
2007  The Afternoon Has Eyes
2011  The Zebra
2012  The Convict Patient
2012  Three Voices
2014  Perfect Obedience
2015  The Last One and then We Go
2016  Number Eighty
2017  The Other Side
2019  Rendez-vous
2019  The Guardian of Memory
2020  Taken Identity
2020  The Spokeswoman
2022  Time Theorem

Sound Re-Recording Mixer:
1998  Loco corazón
2001  A second Chance
2001  Written on the Body of Night
2004  Charros
2004  Huapango
2006  Sexo, amor y otras perversiones
2007  The Afternoon Has Eyes
2011  The Zebra
2012  The Convict Patient
2012  Three Voices
2014  Perfect Obedience
2015  The Last One and then We Go
2016  Given In Love
2016  Number Eighty
2017  The Other Side
2019  Rendez-vous
2019  The Dove and the Wolf
2019  The Guardian of Memory
2020  Taken Identity
2020  The Spokeswoman
2021  Ana's Desire
2021  Karnawal
2022  Time Theorem

Sound Supervisor:
1998  Loco corazón
2001  A second Chance
2001  Written on the Body of Night
2004  Charros
2004  Huapango
2006  Sexo, amor y otras perversiones
2007  The Afternoon Has Eyes
2011  The Zebra
2012  The Convict Patient
2012  Three Voices
2014  Perfect Obedience
2015  The Last One and then We Go
2016  Given In Love
2016  Number Eighty
2017  The Other Side
2019  Rendez-vous
2019  The Dove and the Wolf
2019  The Guardian of Memory
2020  Deadly Embroidered Memories
2020  Taken Identity
2020  The Spokeswoman
2021  Ana's Desire
2021  Karnawal
2022  Time Theorem

Sound mixer:
1998  Loco corazón
2001  A second Chance
2001  Written on the Body of Night
2004  Charros
2004  Huapango
2006  Sexo, amor y otras perversiones
2007  The Afternoon Has Eyes
2011  The Zebra
2012  The Convict Patient
2012  Three Voices
2014  Color of my Wings
2014  Perfect Obedience
2015  The Last One and then We Go
2016  Given In Love
2016  Number Eighty
2017  The Other Side
2019  Rendez-vous
2019  The Dove and the Wolf
2019  The Guardian of Memory
2020  Deadly Embroidered Memories
2020  Taken Identity
2020  The Spokeswoman
2021  Ana's Desire
2021  Karnawal
2022  Time Theorem

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.