White Noise (2019) [N/A]

Release Date:
November 16, 2019

Original Title:
Le fond de l'air

Genres:
Documentary | Thriller

Production Companies:
ONF | NFB

Production Countries:
Canada

Ratings / Certifications:
 N/A

Runtime: 77

A reflection on the fate of humanity in the Anthropocene epoch, White Noise is a roller-coaster of a film, a whirlwind of sounds and images. The fourth feature-length work by Simon Beaulieu, this film essay plunges viewers into a subjective sensory adventure—a direct physical encounter with the information overload of daily life. White Noise transforms the imminent collapse of our civilization into a visceral aesthetic experience.

Additional information:

The Search Form


Administration:
Sia Koukoulas

Cinematography:
Alexandre Lampron
Dominic Gagnon
Simon Beaulieu

Colorist:
Yannick Carrier

Consulting Editor:
Pierre Dupont
Isabelle Painchaud
Patrick Trahan

Director:
Simon Beaulieu

Editor:
René Roberge

Executive Producer:
Colette Loumède

Foley:
Alexis Farand

Foley Recordist:
Nataq Huault
Luc Léger
Geoffrey Mitchell
Bernard Belley

Gaffer:
Michel Robitaille

Key Grip:
Manuel Daigneault

Legal Services:
Christian Pitchen

Line Producer:
Mélanie Lasnier

Music:
simon bélair

Music Sound Design and Processing:
simon bélair
Olivier Borzeix

Musician:
simon bélair
Fany Fresard
Julie McInnes
David Carbonneau

Online Editor:
Yannick Carrier

Producer:
Nathalie Cloutier

Production Coordinator:
Chinda Phommarinh

Production Manager:
Marc-André Faucher

Researcher:
Simon Beaulieu

Sound Designer:
Patrice LeBlanc

Sound Mixer:
Simon Plouffe

Sound Re-Recording Mixer:
Isabelle Lussier

Sound Recordist:
Simon Plouffe

Special Effects:
Karl Lemieux

Studio Teacher:
Pascale Savoie-Brideau

Technical Advisor:
Steve Hallé

Technical Supervisor:
Dominic Gagnon
Jean-François Laprise
Mira Mailhot

Title Designer:
Mélanie Bouchard

Treatment:
Marc Boucrot

Writer:
Simon Beaulieu

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.