Mélanie Bouchard

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Animation:
2016  Roger D'Astous

Graphic Designer:
2013  Secretariat's Jockey, Ron Turcotte
2014  Absences
2016  Roger D'Astous
2019  Jordan River Anderson, The Messenger
2022  Theodore Ushev: Unseen Connections
2022  Undertaker for Life!
2024  Don't Let the Sun Catch You Crying

Production Accountant:
2013  Secretariat's Jockey, Ron Turcotte
2014  Absences
2016  Roger D'Astous
2019  Jordan River Anderson, The Messenger
2020  Girls Shouldn't Walk Alone at Night
2022  III
2022  Theodore Ushev: Unseen Connections
2022  Undertaker for Life!
2024  Don't Let the Sun Catch You Crying

Title Designer:
2013  Secretariat's Jockey, Ron Turcotte
2014  Absences
2014  The Weatherman and the Shadowboxer
2016  Mabel
2016  Roger D'Astous
2017  Bill Loewen: Music in the Prairie Night
2017  Hedgehog's Home
2017  Nadine
2017  The Tooth
2018  Cedar Tree of Life
2018  Deyzangeroo
2018  Manivald
2018  The Devil's Share
2019  Jordan River Anderson, The Messenger
2019  Shannon Amen
2019  Standing on the Line
2019  Where the Land Ends
2019  White Noise
2020  Girls Shouldn't Walk Alone at Night
2020  Into the Light
2020  K'i Tah Amongst the Birch
2020  Stories Are in Our Bones
2021  Mary Two-Axe Earley: I Am Indian Again
2022  Baek-il
2022  III
2022  The Commute
2022  Theodore Ushev: Unseen Connections
2022  Undertaker for Life!
2024  Don't Let the Sun Catch You Crying
2024  My World, Your Melody

Title Graphics:
2013  Secretariat's Jockey, Ron Turcotte
2014  Absences
2014  The Weatherman and the Shadowboxer
2016  Mabel
2016  Roger D'Astous
2017  Bill Loewen: Music in the Prairie Night
2017  Hedgehog's Home
2017  Nadine
2017  The Tooth
2018  Bone Mother
2018  Cedar Tree of Life
2018  Deyzangeroo
2018  Manivald
2018  The Devil's Share
2019  Jordan River Anderson, The Messenger
2019  Shannon Amen
2019  Standing on the Line
2019  Where the Land Ends
2019  White Noise
2020  Girls Shouldn't Walk Alone at Night
2020  Into the Light
2020  K'i Tah Amongst the Birch
2020  Stories Are in Our Bones
2021  Mary Two-Axe Earley: I Am Indian Again
2022  Baek-il
2022  III
2022  The Commute
2022  Theodore Ushev: Unseen Connections
2022  Undertaker for Life!
2024  Don't Let the Sun Catch You Crying
2024  My World, Your Melody

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.