A work in constant progress (and occasional regress).
Dominic GAGNON (1974, Canada) is a musician, performer, inventor and filmmaker. In his latest films he uses a lot of web content, including controversial YouTube videos which would later be removed due to inappropriate content. In his films, Gagnon tries to discover the secrets of obsessions, identity and culture. In 2011, he was selected for a residency at Impakt in Utrecht. His film Hoax_canular (2013) won the prize for Best Canadian Film at the Montréal International Documentary Fesitval. Going South (2018) is the second part of a tetralogy about visual culture online.
Cinematography:
2019 White Noise
Director:
1996 Parapluie Bomb City
1997 Beluga Crash Blues
1998 Anchorage
2000 Du moteur à explosion
2001 Operation Cobra
2004 Be Loyal and Sincere
2009 RIP in Pieces America
2011 Pieces and Love All to Hell
2014 Hoax Canular
2015 Of the North
2018 Going South
2019 White Noise
2021 Big in China. Georges and the Vision Machines
???? Space Down
Director of Photography:
1996 Parapluie Bomb City
1997 Beluga Crash Blues
1998 Anchorage
2000 Du moteur à explosion
2001 Operation Cobra
2004 Be Loyal and Sincere
2009 RIP in Pieces America
2011 Pieces and Love All to Hell
2014 Hoax Canular
2015 Of the North
2018 Going South
2019 White Noise
2021 Big in China. Georges and the Vision Machines
???? Space Down
Editor:
1996 Parapluie Bomb City
1997 Beluga Crash Blues
1998 Anchorage
2000 Du moteur à explosion
2001 Operation Cobra
2004 Be Loyal and Sincere
2009 RIP in Pieces America
2011 Pieces and Love All to Hell
2014 Hoax Canular
2015 Of the North
2018 Going South
2019 White Noise
2021 Big in China. Georges and the Vision Machines
???? Space Down
Mixing Engineer:
1996 Parapluie Bomb City
1997 Beluga Crash Blues
1998 Anchorage
2000 Du moteur à explosion
2001 Operation Cobra
2004 Be Loyal and Sincere
2009 RIP in Pieces America
2011 Pieces and Love All to Hell
2014 Hoax Canular
2015 Of the North
2018 Going South
2019 White Noise
2021 Big in China. Georges and the Vision Machines
???? Space Down
Sound:
1996 Parapluie Bomb City
1997 Beluga Crash Blues
1998 Anchorage
2000 Du moteur à explosion
2001 Operation Cobra
2004 Be Loyal and Sincere
2009 RIP in Pieces America
2011 Pieces and Love All to Hell
2014 Hoax Canular
2015 Of the North
2018 Going South
2019 White Noise
2021 Big in China. Georges and the Vision Machines
???? Space Down
Sound Designer:
1996 Parapluie Bomb City
1997 Beluga Crash Blues
1998 Anchorage
2000 Du moteur à explosion
2000 Kosovolove
2001 Operation Cobra
2004 Be Loyal and Sincere
2009 RIP in Pieces America
2011 Pieces and Love All to Hell
2014 Hoax Canular
2015 Of the North
2018 Going South
2019 White Noise
2021 Big in China. Georges and the Vision Machines
???? Space Down
Technical Supervisor:
1996 Parapluie Bomb City
1997 Beluga Crash Blues
1998 Anchorage
2000 Du moteur à explosion
2000 Kosovolove
2001 Operation Cobra
2004 Be Loyal and Sincere
2009 RIP in Pieces America
2011 Pieces and Love All to Hell
2014 Hoax Canular
2015 Of the North
2018 Going South
2019 White Noise
2021 Big in China. Georges and the Vision Machines
???? Space Down
Writer:
1996 Parapluie Bomb City
1997 Beluga Crash Blues
1998 Anchorage
2000 Du moteur à explosion
2000 Kosovolove
2001 Operation Cobra
2004 Be Loyal and Sincere
2009 RIP in Pieces America
2011 Pieces and Love All to Hell
2014 Hoax Canular
2015 Of the North
2018 Going South
2019 White Noise
2021 Big in China. Georges and the Vision Machines
???? Space Down
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.