Laverne Cox (b. 1972)

Birthplace:
Mobile, Alabama, USA

Born:
May 29, 1972

Laverne Cox (born May 29, 1972) is an American actress and LGBTQ advocate. She rose to prominence with her role as Sophia Burset on the Netflix series Orange Is the New Black, becoming the first transgender person to be nominated for a Primetime Emmy Award in an acting category and the first to be nominated for an Emmy Award since composer Angela Morley in 1990. In 2015, she won a Daytime Emmy Award in Outstanding Special Class Special as executive producer for Laverne Cox Presents: The T Word, making her the first trans woman to win the award. In 2017, she became the first transgender person to play a transgender series regularly on U.S. broadcast TV, as Cameron Wirth on CBS's Doubt.  Cox appeared as a contestant on the first season of VH1's reality show I Want to Work for Diddy and co-produced and co-hosted the VH1 makeover television series TRANSform Me. In April 2014, Cox was honoured by GLAAD with its Stephen F. Kolzak Award for advocating for the transgender community. In June 2014, Cox became the first transgender person to appear on the cover of Time magazine. Cox is the first transgender person to appear on the cover of a Cosmopolitan magazine, with her February 2018 cover on the South African edition. She is also the first openly transgender person to have a wax figure of herself at Madame Tussauds.  Description above from the Wikipedia article Laverne Cox, licensed under CC-BY-SA, is a full list of contributors on Wikipedia.

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Director:
2014  The T Word

Executive Producer:
2014  The T Word
2020  Disclosure
2025  Heightened Scrutiny

Creator:
2025  Clean Slate

Executive Producer:
2025  Clean Slate

Story:
2025  Clean Slate

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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