A work in constant progress (and occasional regress).
Release Date:
January 24, 2020
Original Title:
Zola
Alternate Titles:
@Zola
Genres:
Comedy | Crime
Production Companies:
Gigi Films
Killer Films
Ramona Films
Production Countries:
United States of America
Ratings / Certifications:
AU: MA15+ GB: 18 IE: 18 KR: 18 PL: 18 RU: 18+ TH: 16+ US: R
Runtime: 86
A waitress agrees to accompany an exotic dancer, her put-upon boyfriend, and her mysterious and domineering roommate on a road trip to Florida to seek their fortune at a high-end strip club.
ADR Mixer:
Mark DeSimone
ADR Recordist:
Kristin Catuogno
Art Department Assistant:
Cornelius Blaga
Art Department Coordinator:
Natalie Montoya
Art Direction:
Stephen I. Erdberg
Assistant Art Director:
Mary Florence Brown
Assistant Costume Designer:
Nicole Suerez
Assistant Editor:
Emily Nine
Assistant Production Manager:
Alexandria Sherman
Assistant Property Master:
Alexandra Tibbe
Best Boy Electric:
Rick Pilcher
Boom Operator:
Rose Bladh
Fernanda Starling
Camera Loader:
Douglas W. Johnson
Casting Assistant:
Ryan Maharaj
Casting Director:
Kim Taylor-Coleman
Colorist:
Damien van der Cruyssen
Compositor:
Lisa Daly
Dulany Foster IV
Lauren Hulsey
Construction Coordinator:
Michael P. DeVries
Costume Assistant:
Lydia H. Parker
Costume Design:
Derica Cole Washington
Costume Supervisor:
Mildred Brignoni
Costumer:
Rachel Pollen
Catharine Stuart
Dialect Coach:
Aris Mendoza
Director:
Janicza Bravo
Director of Photography:
Ari Wegner
Editor:
Joi McMillon
Executive Producer:
A'Ziah King
Jennifer Konawal
David Kushner
First Assistant "A" Camera:
Stéphane Renard
First Assistant Director:
Shahrzad Davani
First Assistant Editor:
Daniel Morfesis
Foley Artist:
Leslie Bloome
Joanna Fang
Foley Editor:
Laura Heinzinger
Foley Mixer:
Ryan Collison
Nick Seaman
Gaffer:
Chris Hill
Hair Department Head:
Charles Gregory Ross
Key Costumer:
Candace Rice
Key Grip:
Mike L. Germaine
Key Hair Stylist:
T.A. Henderson
Key Makeup Artist:
Hannah Berke
Naomi Raddatz
Leadman:
Chris Scharffenberg
Legal Services:
David Garrett
Local Casting:
Kristin Wollett
Location Assistant:
Devin Kina
Location Manager:
Sherrill Smith
Location Scout:
Will Hammargren
Makeup Artist:
Rashida Bolden
Makeup Department Head:
Kristen Alimena
Music Editor:
Jahn Sood
Music Supervisor:
Mandi Collier
Jen Malone
Bridget Samuels
Original Music Composer:
Mica Levi
Post Production Accountant:
Abby Bailey
Joe Fragassi
Post Production Supervisor:
Mark Sean Haynes
Producer:
David Hinojosa
Vince Jolivette
Christine Vachon
Gia Walsh
Kara Baker
Dave Franco
Elizabeth Haggard
Production Coordinator:
Theresa Frankel
Production Design:
Katie Byron
Production Supervisor:
Jon Read
Property Master:
Kurt Thoresen
Props:
John Rusnak
Screenplay:
Janicza Bravo
Jeremy O. Harris
Script Supervisor:
Michael Kefeyalew
Second Assistant Camera:
Billy Wells
Second Assistant Director:
Eric Scott Williamson
Second Second Assistant Director:
Ricky R. Weaver
Set Decoration:
Ruston Head
Set Dresser:
Devin Myer
Ross Ostrom
Sound Designer:
Leslie Shatz
Sound Effects Editor:
Josh Gold
Sound Mixer:
Diana Sagristá
Sound Re-Recording Mixer:
Leslie Shatz
Steadicam Operator:
Mike McGowan
Osvaldo Silvera Jr.
Still Photographer:
Anna Kooris
Story:
David Kushner
A'Ziah King
Stunt Coordinator:
Eric Salas
Stunts:
Michael Opal
Supervising Sound Editor:
Jon Flores
Thanks:
Tony Armer
Israel Vasquez
Transportation Captain:
Jay Palomino
Transportation Co-Captain:
Donny Smith
Unit Production Manager:
Allison Rose Carter
Visual Effects Coordinator:
Zach Hamelton
Visual Effects Producer:
Jason Sanford
Visual Effects Supervisor:
Andrew Lim
Alex Noble
Brandon Nelson
Tim LeDoux
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.