A work in constant progress (and occasional regress).
Birthplace:
Melbourne, Victoria, Australia
Born:
May 3, 1984
Ari Wegner, ACS, is an Australian cinematographer. Her work includes films such as Lady Macbeth (2016), True History of the Kelly Gang (2019), and Zola (2020). In 2021, she served as cinematographer on The Power of the Dog for which she received widespread critical acclaim including an Academy Award nomination for Best Cinematography, becoming only the second woman to do so in the award's 94-year history.
Camera Operator:
2011 Snowtown
Director of Photography:
2007 Lone Rider
2010 Lily
2011 Grey Matter
2011 Snowtown
2012 Bino
2012 In Safe Hands
2013 Ruin
2014 Baby Baby
2016 Lady Macbeth
2016 Trespass
2018 In Fabric
2018 Stray
2019 True History of the Kelly Gang
2020 Zola
2021 The Power of the Dog
2022 The Wonder
2023 Eileen
2024 Drive-Away Dolls
???? Honey Don't!
Director of Photography:
2016 The Girlfriend Experience
2016 The Kettering Incident
2017 Guerrilla
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.