Colman Domingo (b. 1969)

Alias:
Coleman Domingo
Colman Jason Domingo
Κόλμαν Ντομίνγκο
קולמן דומינגו
קולמן דומניגו
科爾曼·多明戈

Birthplace:
Philadelphia, Pennsylvania, USA

Born:
November 28, 1969

Colman Jason Domingo (born November 28, 1969) is an American actor, playwright and theater director. Prominent on both screen and stage, he has received various accolades, including a nomination for an Academy Award, a Primetime Emmy Award win, and two nominations for Tony Awards.  Domingo's early Broadway roles include the 2005 play Well and the 2008 musical Passing Strange. He gained acclaim for his role as Mr. Bones in the Broadway musical The Scottsboro Boys (2011), for which he was nominated for the Tony Award for Best Featured Actor in a Musical. He reprised the role in the 2014 West End production, being nominated for the Laurence Olivier Award for Best Performance in a Supporting Role in a Musical. In 2018, he wrote the book for the Broadway musical Summer: The Donna Summer Musical.  After early roles in various incarnations of the Law & Order series and as part of the main cast for The Big Gay Sketch Show, he had his breakthrough playing Victor Strand in the AMC series Fear the Walking Dead (2015–2023). In 2022, he won the Primetime Emmy Award for Outstanding Guest Actor in a Drama Series for his performance as the recovering drug addict Ali on the HBO series Euphoria.  Domingo's film appearances include supporting roles in Lincoln (2012), Selma (2014), If Beale Street Could Talk (2018), and Ma Rainey's Black Bottom (2020). For his role as a ruthless pimp in Janicza Bravo's Zola (2021), he was nominated for an Independent Spirit Award for Best Supporting Male. His portrayal of civil rights activist Bayard Rustin in the Netflix film Rustin (2023) earned him nomination for the Academy Award for Best Actor.  Domingo is openly gay, and has been married to his husband, Raúl Domingo, since 2014.

Additional information:

The Search Form


Director:
2015  Fear the Walking Dead

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.