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Blindspotting (2018) [R]

Release Date:
July 20, 2018

Original Title:
Blindspotting

Alternate Titles:
緩刑七十二小時

Genres:
Comedy | Crime | Drama

Production Companies:
Codeblack Films
Snoot Entertainment
Summit Entertainment

Production Countries:
United States of America

Ratings / Certifications:
BR: 14  DE: 16  FR: U  GB: 15  IE: 15  JP: G  US: R 

Runtime: 95

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Overview from TheMovieDB

Collin must make it through his final three days of probation for a chance at a new beginning. He and his troublemaking childhood best friend, Miles, work as movers, and when Collin witnesses a police shooting, the two men’s friendship is tested as they grapple with identity and their changed realities in the rapidly-gentrifying neighborhood they grew up in.

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Production

"A" Camera Operator:
Reid Murphy

ADR Mixer:
Judah Getz

Armorer:
Andrew J. Neis

Art Department Coordinator:
Hillary Andujar

Art Direction:
Susan Alegria

Assistant Director:
L. La Mar Stewart

Assistant Editor:
Tarek Karkoutly
Leo Chan

Assistant Location Manager:
Taylor Whitehouse

Assistant Makeup Artist:
Sarah Coy

Assistant Production Coordinator:
Daisy Tenorio

Assistant Property Master:
Luie P. Garcia

Assistant Set Decoration:
Gerin Del Carmen

Best Boy Electric:
Todd Clark

Best Boy Grip:
Christofer Moscoso
David Lanes

Boom Operator:
Corryn Deegan

Casting:
Kimberly Hardin
Nina Henninger

Casting Associate:
Sarah Kliban

Co-Producer:
Chris Harding
Geoffrey Quan

Costume Design:
Emily Batson

Costume Supervisor:
Alyssa Tull

Costumer:
Adriana Gutierrez

Craft Service:
Robin Gage
Max Kosma

Dialogue Editor:
Jesse Pomeroy

Digital Imaging Technician:
Sin Cohen

Director:
Carlos López Estrada

Director of Photography:
Robby Baumgartner

Dolly Grip:
Julien De Benedictis

Editor:
Gabriel Fleming

Extras Casting:
Theresa Benavidez

First Assistant "A" Camera:
Steven Cueva

First Assistant "B" Camera:
Patrick McArdle

Foley Artist:
Andrii Starykovskyi

Gaffer:
Kiva Knight

Graphic Designer:
Courtney Andujar

Hair Department Head:
Galaxy San Juan

Key Costumer:
Miranda Traczyk

Key Grip:
Steve Forbes

Leadman:
Olivia Kanz

Location Manager:
Ryan Wylie

Makeup Department Head:
Chelsea Orduno

Music Editor:
Lesley Langs

Music Producer:
Daveed Diggs
Rafael Casal

Music Supervisor:
Jonathan McHugh

Original Music Composer:
Michael Yezerski
Jonathan Snipes

Producer:
Keith Calder
Jessica Wu
Rafael Casal
Daveed Diggs

Production Accountant:
Gaetano Akiya

Production Coordinator:
Maira Memmi

Production Design:
Tom Hammock

Production Sound Mixer:
Brian Copenhagen
Scott Kinzey

Production Supervisor:
Marc Kelly

Property Master:
Jessica M. Lapin

Script Consultant:
BenDavid Grabinski

Script Supervisor:
Betty Austin

Second Assistant "A" Camera:
Sam Lino

Second Assistant "B" Camera:
Shannon Bringham

Second Second Assistant Director:
Dominic Martin
Armin Houshmandi

Set Decoration:
Alex Brandenburg

Set Dresser:
Manh Hakchareun
Melanie Leandro
Rachel Dagdagan
Rachel Groat

Set Medic:
Bob Delong

Sound Designer:
Jeffrey A. Pitts

Sound Re-Recording Mixer:
Andy Hay
Drew Webster

Special Effects Supervisor:
Matt Heron

Still Photographer:
Ariel Nava

Storyboard Artist:
Anthony Satter

Studio Teacher:
Dawn DeBenedetto Maurer
Susan Gill

Stunt Coordinator:
Casey Adams
Matt Berberi

Stunt Double:
Clayton J. Barber

Stunt Driver:
Zack Duhame
Brian Sampson

Stunts:
Eric Jacobus

Supervising Sound Editor:
Andy Hay

Utility Stunts:
Eddie J. Fernandez
Jeremy Fitzgerald

VFX Artist:
Piers Dennis

Visual Effects:
John H. Han

Visual Effects Supervisor:
Takashi Takeoka

Writer:
Rafael Casal
Daveed Diggs

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.