Tom Hammock

Alias:
Thomas Hammock
Thomas S. Hammock

Tom Hammock is a production designer. Hammock was raised in Northern California, where his father researched venoms, insects, and other unusual creatures. This pursuit shaped many of the family's wilderness-focused vacations. His early life was marked by travel, including extended living abroad in Australia and England. After settling down for a time—a development greatly pleased his mother—Hammock pursued a degree in landscape architecture at UC Berkeley. His interest in visual storytelling led him to the American Film Institute, where he studied production design.  Hammock has since built an extensive career designing films, with credits including You're Next, The Guest, All the Boys Love Mandy Lane, Blair Witch, and The Devil's Candy. In addition to film work, he occasionally teaches and reviews design at institutions such as the Directing Workshop for Women, AFI, and UC Berkeley.  Now based in Hollywood, Hammock balances production design with writing graphic novels. His debut graphic novel, An Aurora Grimeon Story: Will O' the Wisp, illustrated by Megan Hutchison, marked his entry into publishing. Notable design credits include Blindspotting (which opened Sundance 2018), the Amazon Studios series Them, Godzilla vs Kong for director Adam Wingard, and X and Pearl for Ti West and A24.

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Art Department Assistant:
2005  Constantine

Director:
2005  Constantine
2014  The Last Survivors

Production Design:
2005  Constantine
2006  All the Boys Love Mandy Lane
2009  Angel of Death
2010  Bastard
2011  The Key Man
2013  V/H/S/2
2013  You're Next
2014  The Guest
2014  The Last Survivors
2016  Blair Witch
2016  The Devil's Candy
2017  Death Note
2018  Blindspotting
2021  Godzilla vs. Kong
2022  Pearl
2022  X
2024  Godzilla x Kong: The New Empire
2025  Weapons
2026  Untitled Resident Evil Reboot
????  Onslaught

Writer:
2005  Constantine
2006  All the Boys Love Mandy Lane
2009  Angel of Death
2010  Bastard
2011  The Key Man
2013  V/H/S/2
2013  You're Next
2014  The Guest
2014  The Last Survivors
2016  Blair Witch
2016  The Devil's Candy
2017  Death Note
2018  Blindspotting
2021  Godzilla vs. Kong
2022  Pearl
2022  X
2024  Godzilla x Kong: The New Empire
2025  Weapons
2026  Untitled Resident Evil Reboot
????  Onslaught

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.