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Hillary Andujar

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Film Production

Art Department Coordinator:
2018  Blindspotting

Director:
2008  The Caterer
2016  Cursed Videotape
2018  Blindspotting
2018  I Could've Been Sweet
2019  Girls' Night Out of Body
2019  Scare Package
????  Boots to Desert
????  Parched Dreams

Producer:
2008  The Caterer
2016  Cursed Videotape
2018  Blindspotting
2018  I Could've Been Sweet
2019  Girls' Night Out of Body
2019  Scare Package
????  Boots to Desert
????  Parched Dreams

Production Design:
2008  The Caterer
2010  You Should Meet My Son!
2012  The Red Point
2014  Dear Lucas
2014  Nocturnal Agony
2016  Cursed Videotape
2016  Youth
2018  Blindspotting
2018  I Could've Been Sweet
2018  The Wind
2019  Bloodline
2019  Body at Brighton Rock
2019  Girl on the Third Floor
2019  Girls' Night Out of Body
2019  Scare Package
2020  Freaky
2020  Pink Skies Ahead
2020  Seven Stages to Achieve Eternal Bliss
2021  Coche Bomba
2022  Vengeance
2023  Birth/Rebirth
2024  Brothers
????  Boots to Desert
????  Parched Dreams

Writer:
2008  The Caterer
2010  You Should Meet My Son!
2012  The Red Point
2014  Dear Lucas
2014  Nocturnal Agony
2016  Cursed Videotape
2016  Youth
2018  Blindspotting
2018  I Could've Been Sweet
2018  The Wind
2019  Bloodline
2019  Body at Brighton Rock
2019  Girl on the Third Floor
2019  Girls' Night Out of Body
2019  Scare Package
2020  Freaky
2020  Pink Skies Ahead
2020  Seven Stages to Achieve Eternal Bliss
2021  Coche Bomba
2022  Vengeance
2023  Birth/Rebirth
2023  Residency
2024  Brothers
????  Boots to Desert
????  Parched Dreams

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.