A work in constant progress (and occasional regress).
Release Date:
October 12, 2018
Original Title:
Beautiful Boy
Alternate Titles:
Beautiful boy, siempre serás mi hijo
Güzel Oğlum
Querido Menino
뷰티풀 보이
Genres:
Drama
Production Companies:
Amazon Studios
Big Indie Pictures
Plan B Entertainment
Production Countries:
United States of America
Ratings / Certifications:
AU: MA15+|M CH: 16|14 CZ: 12+ DE: 12 DK: 11 ES: 18 FR: 12 GB: 15 HU: 16 IE: 15A KR: 15 NL: 16 PL: 16 RO: 18+ RU: 18+ SK: 15 US: R
Runtime: 119
After he and his first wife separate, journalist David Sheff struggles to help their teenage son, who goes from experimenting with drugs to becoming devastatingly addicted to methamphetamine.
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"A" Camera Operator:
Jody Miller
ADR Recordist:
Jason Oliver
ADR Supervisor:
Ulrika Akander
Additional Editing:
David Marks
Traci Duran
Art Department Coordinator:
Molly Hunter Flick
Art Direction:
Patrick M. Sullivan
Assistant Editor:
Bernie E. Gomez
Andrey Ragozin
Assistant Location Manager:
Mark Gaffney
Assistant Production Coordinator:
Vincent Befi
Assistant Property Master:
Martin Milligan
Don Bracken
Assistant Sound Editor:
Matthew P. Hanson
Background Casting Director:
Rich King
Rob Swanson
Best Boy Electric:
Roger Awad
Best Boy Grip:
Dana Baker
Book:
Nic Sheff
David Sheff
Boom Operator:
Randall L. Johnson
CG Supervisor:
Eric Schoellnast
Casting:
Francine Maisler
Casting Assistant:
Lauren Richer
Casting Associate:
Amber Wakefield
Co-Producer:
Marsha L. Swinton
Construction Coordinator:
Michael Diersing
Construction Foreman:
Thomas White
Costume Design:
Emma Potter
Costume Supervisor:
Nancy Au
Costumer:
Bob Moore Jr.
Rachael Ohman
Lauren Morelli
Lori Harris
Craft Service:
Dave Kasubowski
Dialogue Editor:
Robert Troy
Michael Hertlein
Cameron Steenhagen
Digital Effects Supervisor:
Gabriel Vargas
Digital Imaging Technician:
Lonny Danler
Director:
Felix van Groeningen
Director of Photography:
Ruben Impens
Dolly Grip:
Alan Shultz
Editor:
Nico Leunen
Electrician:
Jordan Lapsansky
Joel Potter
Johnny Madison
Josh Allen
Steve Hughes
Jesse Austin
Executive Producer:
Nan Morales
Sarah Esberg
First Assistant "A" Camera:
Jeff Porter
First Assistant Accountant:
Ryan Hintz
First Assistant Director:
George Bamber
First Assistant Editor:
Traci Duran
Chelsea Dinsdale
Foley Artist:
Catherine Harper
Katherine Rose
Foley Editor:
Jon Michaels
Foley Mixer:
Darrin Mann
Gaffer:
Brian Bartolini
Graphic Designer:
Adee Serrao
Karen Teneyck
Greensman:
Frank McEldowney
Daniel McEldowney
Grip:
Jack Glenn
Daisuke Dice Miyake
Jerry Bertolami
Parker Shultz
Allen Liu
Hair Department Head:
Fríða Aradóttir
Hairstylist:
Jennifer Bell
Kristen Kirchen
Robert Mrazik
Key Costumer:
Sara Walbridge
Key Grip:
Les T. Tomita
Key Hair Stylist:
Rita Troy
Leadman:
Jefferson Murff
Location Manager:
John Panzarella
Leslie Thorson
Makeup Artist:
Rolf John Keppler
Elisa Marsh
Makeup Department Head:
Jean Ann Black
Marine Coordinator:
Michael T. Brady
Music Coordinator:
Henry van Roden
Music Editor:
Brent Brooks
Music Supervisor:
Gabe Hilfer
Paint Coordinator:
Jeremy Turley
Painter:
Michele Faretta
Hector Hernandez
Payroll Accountant:
Steve Trombatore
Post Production Accountant:
Jennifer Zolten Freed
Cathy Gurvis
Meg Norton
Post Production Assistant:
John Walek
Post Production Coordinator:
David Townsend
Post Production Supervisor:
Nancy Kirhoffer
Producer:
Brad Pitt
Dede Gardner
Jeremy Kleiner
Producer's Assistant:
Nazia Khan
Christina Oh
Production Accountant:
Steev Beeson
Production Coordinator:
Jules Carideo
Production Design:
Ethan Tobman
Production Secretary:
Holly Dellocono
Production Sound Mixer:
Lisa Pinero
Property Master:
Will Blount
Rigging Gaffer:
Toby LeCheminant
Rigging Grip:
Brandon Jeffrey Harris
Brian Bishop
Screenplay:
Luke Davies
Felix van Groeningen
Script Supervisor:
Barry L. Caldwell
Second Assistant "A" Camera:
Sarah Brandes
Second Assistant Accountant:
Leia Parker
Nedda Azizian
Second Assistant Director:
Adam Cuthbert
Second Second Assistant Director:
Alana Katzner
Set Decoration:
Jennifer Lukehart
Set Designer:
Aric Cheng
Ernie Avila
John Berger
Set Dresser:
Erik Soderstrom
Don Elliott
Mike Cutler
Sound Designer:
Elmo Weber
Sound Effects Editor:
Marc Glassman
Sound Mix Technician:
Phil Lee
Sound Re-Recording Mixer:
Elmo Weber
Jeremy Peirson
Special Effects Coordinator:
John Ziegler
Special Effects Technician:
Ryan Meinardus
Stand In:
Kevin Maier
Steadicam Operator:
Jody Miller
Still Photographer:
François Duhamel
Studio Teacher:
Millie Hirsch
Stunt Coordinator:
Mark Norby
Stunt Double:
Clay Cullen
Gavin Frank
Stunt Driver:
Kelly Richardson
Alexander Smith
Supervising Sound Editor:
Ulrika Akander
Elmo Weber
Transportation Captain:
Casey Boden
Transportation Co-Captain:
Mark A. James
Transportation Coordinator:
Billy Ray Hass
Travel Coordinator:
Natalie Borlaug
Unit Production Manager:
Nan Morales
Utility Sound:
Daniel Quintana
Utility Stunts:
Rocky Capella
Video Assist Operator:
David 'Goldy' Goldsmith
Visual Effects Coordinator:
Karina Benesh
Djochoua Belovarski
Visual Effects Editor:
Ryan Andersen
Visual Effects Producer:
Molly Pabian
Visual Effects Supervisor:
Mitchell S. Drain
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.