Ruben Impens (b. 1971)

Birthplace:
Ghent, Belgium

Born:
March 31, 1971

Ruben Impens is a Belgian cinematographer. He works in Flanders and is best known for his work with Felix Van Groeningen, having worked on the entirety of Van Groeningen's feature filmography. He has worked on feature films, short films, documentaries and television series.  Description above from the Wikipedia article Ruben Impens, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Additional information:

The Search Form


Clapper Loader:
1999  Little Crumb

Director of Photography:
1999  Little Crumb
2000  50CC
2004  Steve + Sky
2007  With Friends Like These
2008  Moscow, Belgium
2009  The Misfortunates
2010  Beyond the Steppes
2010  Oxygen
2010  Turquoise
2011  Code 37
2011  Dagen van gras
2012  Brasserie Romance
2012  Offline
2012  The Broken Circle Breakdown
2013  Cadet
2015  Café Derby
2015  Groenland
2015  Marry Me
2015  The Sky Above Us
2016  Belgica
2016  Kokoro
2016  Raw
2017  Zagros
2018  Beautiful Boy
2019  Dirty God
2019  The Mustang
2021  Titane
2022  The Eight Mountains
2024  A Flower of Mine
2024  Animale

Focus Puller:
1999  Little Crumb
2000  50CC
2004  Bluebird
2004  Steve + Sky
2007  With Friends Like These
2008  Moscow, Belgium
2009  The Misfortunates
2010  Beyond the Steppes
2010  Oxygen
2010  Turquoise
2011  Code 37
2011  Dagen van gras
2012  Brasserie Romance
2012  Offline
2012  The Broken Circle Breakdown
2013  Cadet
2015  Café Derby
2015  Groenland
2015  Marry Me
2015  The Sky Above Us
2016  Belgica
2016  Kokoro
2016  Raw
2017  Zagros
2018  Beautiful Boy
2019  Dirty God
2019  The Mustang
2021  Titane
2022  The Eight Mountains
2024  A Flower of Mine
2024  Animale

Director of Photography:
2011  Black Mirror

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.