Dell Henderson (1877-1956)

Alias:
Del Henderson
George Delbert "Dell" Henderson
George Delbert Henderson

Birthplace:
St. Thomas, Ontario, Canada

Born:
July 4, 1877

Died:
December 2, 1956

From Wikipedia, the free encyclopedia  George Delbert "Dell" Henderson (July 5, 1877 – December 2, 1956) was a Canadian-American actor, director, and writer. He began his long and prolific film career in the early days of silent film.  Born in the Southwestern Ontario city of St. Thomas, Dell Henderson started his acting career on the stage, but appeared in his first movie Monday Morning in a Coney Island Police Court already in 1908. Henderson was a frequent associate of film pioneer D.W. Griffith since 1909 and appeared in numerous of his early shorts in Hollywood. He also acted on a less prolific basis in the movies of producer Mack Sennett and his Keystone Studios. In addition to acting, Henderson also directed nearly 200 silent films between 1911 and 1928. Most of those films are forgotten or lost, but he also directed movies with silent stars like Harry Carey and Roscoe Arbuckle. Henderson also worked as a writer on numerous screenplays.  After retiring from directing in 1927, Henderson turned to acting full-time and played important supporting roles in King Vidor's The Crowd (1928) and as General Marmaduke Pepper in Show People (1928). The advent of sound film damaged his acting career, and he often had to play smaller roles. In the 1930s, the comedic character actor appeared on several occasions as a comic foil for such comedians as The Three Stooges, W. C. Fields and Laurel and Hardy. He often played somewhat pompous figures like judges, businessmen, detectives or mayors. Modern audiences will remember Henderson as annoyed hospital president Dr. Graves in The Three Stooges film Men in Black and the put-upon chaperone in the Little Rascals film Choo-Choo!. He also appeared as a Night Court Judge in Laurel and Hardy's Our Relations (1936) and as a friendly Car salesman in Leo McCarey's drama Make Way for Tomorrow (1937). Henderson ended his film career after numerous small roles in 1950.  Henderson died of a heart attack in Hollywood at the age of 79. He was married with actress Florence Lee until his death, they made several silent films together.

Additional information:

The Search Form


Director:
1912  Getting Rid of Trouble
1912  Mr. Grouch at the Seashore
1912  The Fickle Spaniard
1913  A Modest Hero
1913  A Woman in the Ultimate
1913  Almost a Wild Man
1913  Black and White
1913  Father's Chicken Dinner
1913  For the Son of the House
1913  Highbrow Love
1913  Pa Says
1913  Papa's Baby
1913  Red Hicks Defies the World
1913  The Lady in Black
1913  The Power of the Camera
1913  The Suffragette Minstrels
1913  The Widow's Kids
1913  Those Little Flowers
1913  What Is the Use of Repining?
1914  'Curses!' They Remarked
1914  Bertha, the Buttonhole-Maker
1914  Gussle, the Golfer
1914  Liberty Belles
1914  The Plumber
1915  A Bear Affair
1915  Ambrose's Fury
1915  Ambrose's Nasty Temper
1915  For Better - But Worse
1915  Merely A Married Man
1915  Those Bitter Sweets
1916  A Coney Island Princess
1916  Because He Loved Her
1916  Wife and Auto Trouble
1917  A Girl Like That
1917  Please Help Emily
1918  The Beloved Blackmailer
1918  The Road to France
1918  Who Loved Him Best?
1919  Love in a Hurry
1920  The Dead Line
1921  Dynamite Allen
1924  Battling Brewster
1924  Gambling Wives
1924  One Law for the Woman
1925  Accused
1925  The Bad Lands
1927  The Rambling Ranger

Story:
1912  A Voice from the Deep
1912  Getting Rid of Trouble
1912  Mr. Grouch at the Seashore
1912  The Fickle Spaniard
1912  The Speed Demon
1913  A Modest Hero
1913  A Woman in the Ultimate
1913  Almost a Wild Man
1913  Black and White
1913  Father's Chicken Dinner
1913  For the Son of the House
1913  Highbrow Love
1913  Pa Says
1913  Papa's Baby
1913  Red Hicks Defies the World
1913  The Lady in Black
1913  The Power of the Camera
1913  The Suffragette Minstrels
1913  The Widow's Kids
1913  Those Little Flowers
1913  What Is the Use of Repining?
1914  'Curses!' They Remarked
1914  Bertha, the Buttonhole-Maker
1914  Gussle, the Golfer
1914  Liberty Belles
1914  The Plumber
1915  A Bear Affair
1915  Ambrose's Fury
1915  Ambrose's Nasty Temper
1915  For Better - But Worse
1915  Merely A Married Man
1915  Those Bitter Sweets
1916  A Coney Island Princess
1916  Because He Loved Her
1916  Wife and Auto Trouble
1917  A Girl Like That
1917  Please Help Emily
1918  The Beloved Blackmailer
1918  The Road to France
1918  Who Loved Him Best?
1919  Love in a Hurry
1920  The Dead Line
1921  Dynamite Allen
1924  Battling Brewster
1924  Gambling Wives
1924  One Law for the Woman
1925  Accused
1925  The Bad Lands
1927  The Rambling Ranger

Writer:
1910  The Lesson
1911  Bobby the Coward
1911  Love in the Hills
1912  A Dash Through the Clouds
1912  A Voice from the Deep
1912  Getting Rid of Trouble
1912  Mr. Grouch at the Seashore
1912  The Fickle Spaniard
1912  The Speed Demon
1913  A Modest Hero
1913  A Woman in the Ultimate
1913  Almost a Wild Man
1913  Black and White
1913  Father's Chicken Dinner
1913  For the Son of the House
1913  Highbrow Love
1913  Pa Says
1913  Papa's Baby
1913  Red Hicks Defies the World
1913  The Lady in Black
1913  The Power of the Camera
1913  The Suffragette Minstrels
1913  The Widow's Kids
1913  Those Little Flowers
1913  What Is the Use of Repining?
1914  'Curses!' They Remarked
1914  Bertha, the Buttonhole-Maker
1914  Gussle, the Golfer
1914  Liberty Belles
1914  The Plumber
1915  A Bear Affair
1915  Ambrose's Fury
1915  Ambrose's Nasty Temper
1915  For Better - But Worse
1915  Merely A Married Man
1915  Those Bitter Sweets
1916  A Coney Island Princess
1916  Because He Loved Her
1916  Wife and Auto Trouble
1917  A Girl Like That
1917  Please Help Emily
1918  The Beloved Blackmailer
1918  The Road to France
1918  Who Loved Him Best?
1919  Love in a Hurry
1920  The Dead Line
1921  Dynamite Allen
1924  Battling Brewster
1924  Gambling Wives
1924  One Law for the Woman
1925  Accused
1925  The Bad Lands
1927  The Rambling Ranger

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.