The Mephisto Waltz (1971) [R]

Release Date:
April 9, 1971

Original Title:
The Mephisto Waltz

Alternate Titles:
La macchia della morte
Satan, mon amour
Χορεύοντας με τον Διάβολο

Genres:
Horror

Production Companies:
20th Century Fox
Quinn Martin Productions (QM)

Production Countries:
United States of America

Ratings / Certifications:
FR: 12  US: R 

Runtime: 115

...The Sound of Terror

A frustrated pianist himself, music journalist Myles Clarkson is thrilled to interview virtuoso Duncan Ely. Duncan, however, is terminally ill and not much interested in Myles until noticing that Myles' hands are ideally suited for piano. Suddenly, he can't get enough of his new friend, and Myles' wife, Paula, becomes suspicious of Duncan's intentions. Her suspicions grow when Duncan dies and Myles mysteriously becomes a virtuoso overnight.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

Art Direction:
Richard Y. Haman

Assistant Director:
David Hall

Associate Producer:
Arthur Fellows

Camera Operator:
Gene Evans

Costume Design:
Moss Mabry

Director:
Paul Wendkos

Director of Photography:
William W. Spencer

Editor:
Richard K. Brockway

Hairstylist:
Pat Abbott

Makeup Artist:
Joe DiBella

Makeup Supervisor:
Daniel C. Striepeke

Musician:
Jakob Gimpel

Novel:
Fred Mustard Stewart

Orchestrator:
Arthur Morton

Original Music Composer:
Jerry Goldsmith

Producer:
Quinn Martin

Property Master:
Sidney H. Greenwood

Set Decoration:
Walter M. Scott
Raphael Bretton

Sound Mixer:
Don J. Bassman

Sound Re-Recording Mixer:
Don J. Bassman

Sound Supervisor:
John A. Bonner

Still Photographer:
George Hurrell Sr.

Stunts:
Charlie Picerni

Title Designer:
Phill Norman

Unit Production Manager:
William Eckhardt

Writer:
Ben Maddow

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.